Art of the Cut
Steve Hullfish, ACE
Conversations with Film, TV, and Documentary editors.
THE FIRE INSIDE
Today on Art of the Cut we speak with Harry Yoon, ACE about his editing of the film The Fire Inside.Harry has been on Art of the Cut before for his work on the films Shang-Chi and the Legend of the Ten Rings, Minari - for which he was nominated for an ACE Eddie, also The Best of Enemies, and Detroit. He’s also been on for the TV series, Beef, for which he won an ACE Eddie. This discussion includes - among other things - working with a first time feature director, streamlining a narrative to incr
Feb 20, • 46:41
PORCELAIN WAR
Today on Art of the Cut we speak with writer/director/editor, Brendan Bellomo of the Oscar-nominated documentary, Porcelain War. The film was nominated for an ASC Award for cinematography for its cinematographer, even though it was his first time using a camera. It won the DGA Award for Outstanding Directorial Achievement in Documentary. It won the PGA Award for Producing, won the Australian Screen Sound Guild Award and the HPA Award for Best Sound, and won the Sundance Grand Jury Prize award.Th
Feb 13, • 1:00:15
ANORA
Today on Art of the Cut we speak with director, writer, editor Sean Baker who was nominated for Oscars for Best Picture, Best Director, Best Screenplay, and Best Editing for his film, Anora. He was nominated for BAFTAs for Best Film, Best Editing, Best Casting, Best Screenplay and Best Director. He won AFI’s Movie of the Year, and was nominated for an ACE Eddie. Sean’s other feature films include Red Rocket, Tangerine, and The Florida Project. This discussion includes - among other things - why
Feb 6, • 44:49
THE BRUTALIST
Today on Art of the Cut we speak with Dávid Jancsó, the editor of The Brutalist. David’s been busy! He also edited last year’s Monkey Man as well as films like Evolution and Pieces of a Woman as well as the TV series The Crowded Room and Treadstone. This discussion includes - among other things - how editing is like Brutalist architecture, the purpose behind fracturing time, and the decisions on what to keep in a movie that runs three and a half hours. You can read along with this interview and
Jan 30, • 39:52
UNSTOPPABLE
Today on Art of the Cut we speak with Oscar-winning editor - and now DIRECTOR - William Goldenberg, ACE about his directorial debut - the NUMBER ONE GLOBAL MOVIE on Amazon - Unstoppable. Of course, we also have William’s editor - no, he didn’t edit it himself - Brett Reed. Brett and William have been working together for more than 20 years. William has been on Art of the Cut many times, including for The Instigators, Air, The Outfit, News of the World, 22 July, Detroit, and Live By Night. Billy
Jan 23, • 45:55
A COMPLETE UNKNOWN
Today on Art of the Cut we speak with editors Scott Morris and Oscar-winning editor Andrew Buckland, ACE about editing James Mangold’s A Complete Unknown. Andrew’s been on Art of the Cut before for his work on The Girl on the Train, and for Ford v Ferrari for which he won an Oscar and a BAFTA and was nominated for an ACE Eddie. He also edited Indiana Jones and the Dial of Destiny. Scott Morris has been on Art of the Cut previously to discuss The Creator and Ad Astra. In various capacities he was
Jan 16, • 46:59
CONCLAVE
Today on Art of the Cut we speak with Nick Emerson about editing Conclave, for which he’s nominated for an ACE Eddie for Best Edited Feature Film, Dramatic/Theatrical. Nick has been on Art of the Cut before, when we discussed the film Emma. His other credits include the feature films Lady MacBeth, Eileen, and Greta, and TV series including The Life and Adventures of Nick Nickleby and Life After Life. This discussion includes - among other things - the importance of slowly “drip-feeding the story
Jan 9, • 37:52
NOSFERATU
Today on Art of the Cut we speak with Louise Ford, ACE about editing Robert Eggers’ “Nosferatu.” Louise has been on Art of the Cut before, when we discussed Eggers’ The Northman. Her other credits include the features Wildlife, Bad Education, and The Lighthouse among many others. This discussion includes - among other things - the importance of sound design in horror films including the revelation of her personal secret sauce…her method to maintain emotional continuity and how she deals with th
Jan 2, • 39:52
MUFASA: THE LION KING
Today on Art of the Cut we speak with Oscar-nominee Joi McMillon, ACE about the editing of Barry Jenkins’ Mufasa: The Lion King. Joi’s been on Art of the Cut before for Moonlight - for which she was nominated for an Oscar and an ACE Eddie and for Underground Railroad. She also edited Jenkins’ If Beale Street Could Talk among many other projects. The discussion today is about - among other things - the workflow similarities between Mufasa and Avatar, the benefits of watching dailies with the dire
Dec 26, 2024 • 48:07
SEPTEMBER 5
Today on Art of the Cut we speak with Hansjörg Weißbrich about editing September 5, which has been nominated for a Golden Globe for Best Picture. It was also nominated for Best Editing by the Independent Spirit Awards and tied for the win for the LA Film Critics Award for Best editing. Hansjörg has been nominated for or won numerous German Best Editing awards. His work includes the feature films The Glory of Life, She Said and I’m Your Man, as well as the TV mini-series, Unorthodox, among many o
Dec 19, 2024 • 38:47
BLITZ
Today on Art of the Cut we speak with Oscar-nominee Peter Sciberras, ACE about editing director Steve McQueen’s film, Blitz. Peter was last on Art of the Cut for his work on Jane Campion’s Power of the Dog for which he was nominated for an Oscar and an ACE Eddie. His other films include The Rover, The King, and Foe, among many others. The discussion today is about - among other things - finding the best moment to intercut between the film’s two main characters, the importance of the opening scen
Dec 12, 2024 • 38:01
GLADIATOR II
Today on Art of the Cut we speak with Sam Restivo and Oscar-winning editor, Claire Simpson about their editing of Ridley Scott’s Gladiator II. Claire and Sam have been on Art of the Cut previously for their work on Ridley’s Napoleon. Claire won an ACE Eddie, a BAFTA and an Oscar for her editing of Best Picture winner, Platoon. She was nominated for another Oscar and an ACE Eddie and won a BAFTA for her editing of The Constant Gardener. Along with Platoon, she’s edited two other Oscar Best Pict
Dec 5, 2024 • 40:48
EMILIA PEREZ
Today on Art of the Cut we speak with Oscar nominee, Juliette Welfling about Jacques Audiard's film, Emilia Perez, currently on Netflix. Juliette's been on Art of the Cut before another of Audiard's films, The Sisters Brothers. Her other films include The Diving Bell and the Butterfly, for which she was nominated for an Oscar for Best Editing. She also edited the films: Rust and Bone, A Prophet, The Past, Free State of Jones and Ocean's Eight, The discussion today is about - among other things -
Nov 28, 2024 • 39:51
WICKED
Today, we’re talking with Myron Kerstein, ACE about teaming up again with director Jon Chu to edit the cinematic adaptation of the Broadway hit, Wicked. Before that they collaborated on In the Heights. And before THAT on Crazy Rich Asians - not to mention Kerstein's work with Lin-Manuel Mirandad on tick, tick...BOOM! and we’ve talked about ALL of those films here on Art of the Cut. Kerstein’s previous work as an editor includes the feature films Going in Style, Garden State and Glee: The 3D Conc
Nov 21, 2024 • 44:52
THE WILD ROBOT
Today on Art of the Cut, we’re talking with Dreamworks veteran editor, Mary Blee about the film, “The Wild Robot.” Mary’s editing career began as an assistant editor on the 1991 animated film “Beauty and the Beast.” She’s worked in sound editing and VFX editing. Did additional editing on “Kung Fu Panda” and was an associate editor on “How to Train Your Dragon” and “The Croods.” She was Second Editor on “The Boss Baby” and also worked on subsequent “How To Train Your Dragon,” “Croods” and “Boss B
Nov 13, 2024 • 1:09:23
GREATEST NIGHT IN POP
Today on Art of the Cut, we’re talking with the editors of Netflix’s documentary “Greatest Night in Pop.” They also were part of the editing team of “Mountain Queen: The Summirs of Lhakpa Sherpa.” Carlos Haynes has worked on Neymar: the Perfect Chaos, Amend: the Fight for America, and Kevin Hart - Don't fuck this up. David Brodie was an editor on The volunteer, Struggle: The Life and Lost Art of Szukalski and Selena Gomez: my Mind and Me. Will Znidaric was an editor on projects like Biggie: I
Nov 7, 2024 • 1:07:38
YOUNG WOMAN AND THE SEA
Today on Art of the Cut, Úna Ní Dhonghaíle, ACE discusses editing Disney’s Young Woman and the Sea. Una was first nominated for an editing BAFTA 15 years ago. And again in 2013 and THREE TIMES in 2015. She won a BAFTA for Three Girls and was nominated for another BAFTA and an ACE Eddie for editing Kenneth Branagh’s Belfast which we discussed right here on Art of the Cut. She was also on Art of the Cut previously for her work on The Crown and for Death on the Nile. Today we’re going to be talking
Oct 31, 2024 • 53:00
WELCOME TO WREXHAM
Today on Art of the Cut, editors Michael Anthony Brown and Michael Oliver about their Emmy winning work on Welcome to Wrexham. Brown also won an Emmy for his work on Wrexham last year. Other work includes the TV series, Mr. McMahon, Action, and Losers. Oliver won a Sports Emmy 2011 for HBO’s 24/7 Penguins/Capitols. He’s also edited projects like Being Liverpool, We Are LAFC and Messi’s World Cup: The Rise of a Legend. Today we’re talking with the Emmy-winning editors of this series about the imp
Oct 24, 2024 • 55:03
SATURDAY NIGHT
Today on Art of the Cut, editors Nathan Orloff and Shane Reid discuss editing Jason Reitman’s Saturday Night - a film recounting the chaos just before going LIVE with the first episode of Saturday Night Live. Nathan Orloff has been on Art of the Cut before, most recently for his work on Deadpool/Wolverine. He also joined us for his previous collaborations with Reitman on Ghostbusters: Frozen Empire and Ghostbusters: Afterlife He was also on for editing John Wick 4. Shane Reid was also on Art of
Oct 17, 2024 • 46:03
Joker: Folie à Deux
Today on Art of the Cut, editor Jeff Groth, ACE, discusses editing Joker: Folie a Deux. For those of you who didn’t take French - that’s “Madness between two.” Jeff’s been on the show before to talk about the last Joker movie, and also The Grey Man. Groth was nominated for an ACE Eddie for his work on the TV series Entourage. He was nominated for an Oscar, a BAFTA and an ACE Eddie for his work on Joker.
Oct 11, 2024 • 44:34
MEGALOPOLIS
Today on Art of the Cut, editor Cam McLaughlin discusses working with legendary filmmaker, Francis Ford Coppola, on his film Megalopolis. Cam's previously talked with Art of the Cut about working on Guillermo del Toro's Nightmare Alley. Cam was also an associate editor and music editor on del Toro's Shape of Water. His TV work includes The Girlfriend Experience and Guillermo del Toro's Cabinet of Curiosities. Discover the collaboration process of legendary filmmaker, Francis Ford Coppola as he
Oct 3, 2024 • 44:50
THE INSTIGATORS
Today on Art of the Cut, we discuss editing the Apple Plus feature film The Instigators with three editors, including Oscar-winning editor William Goldenberg, ACE, Oscar-nominee Tatiana Riegel, ACE, and Oscar-nominee Saar Klein. Billy’s been on Art of the Cut six times before for his work on Live By Night, Detroit, 22 July, The Outfit, News of the World, and Air. Billy won an Oscar, a BAFTA, and an ACE Eddie for Argo, and was nominated for an Oscar, a BAFTA and an Eddie for The Imitation Game. H
Sep 26, 2024 • 39:38
LONGLEGS
Today on Art of the Cut we are talking about cutting horror and suspense with Greg Ng and Graham Fortin who edited this summer’s Longlegs which is now available on VOD after its theatrical run. Greg has been nominated and won numerous Canadian Cinema Editor and Leo Awards for TV and documentaries. His credits include the feature films Afflicted and Come and Find Me. He’s also edited for the great ESPN doc series, 30 for 30. Graham’s credits include the documentaries Ari’s Theme, The Wrestlers,
Sep 19, 2024 • 44:08
BEETLEJUICE BEETLEJUICE
Today on Art of the Cut we are talking about Tim Burton’s Beetlejuice Beetlejuice with editor Jay Prychidny, CCE. This is Jay’s fourth time on Art of the Cut. He previously joined us to talk about Snowpiercer, Wednesday, Scream VI, and now, Beetlejuice Beetlejuice. Jay’s won a BAFTA and been nominated for and won numerous Canadian Cinema Editor’s Awards for his work on Orphan Black, The Alienist, The Amazing Race Canada, and many others. Today we’re going to be discussing re-structuring a film
Sep 12, 2024 • 42:36
GREEDY PEOPLE
Today on Art of the Cut, we talk with editor Jamie Kirkpatrick, ACE and one of his assistant editors, Amanda K. Romero about editing the film, Greedy People. Jamie’s been on Art of the Cut previously for his work on the film Critical Thinking. His other films include Old Henry, My Friend Dahmer, and We Summon the Darkness. Amanda has previously edited the feature films False Pretenses and Bedside, and the TV series Londyn and Philly D.A. We’re going to be discussing how balancing tone in a bla
Sep 5, 2024 • 51:56
ALIEN ROMULUS
Today on Art of the Cut we speak with Oscar nominee Jake Roberts, ACE, about editing Alien Romulus. Jake has been on Art of the Cut previously for the films Brooklyn, Hell or High Water, and The Hitman's Bodyguard. He was also on for the TV series, Devs. His work on Hell or High Water was nominated for an Independent Spirit Award, an ACE Eddie and an Oscar. We’re going to be discussing director Fede Alvarez’s cinematic hack behind the jump scare, how pacing builds tension, and how they shot
Aug 29, 2024 • 36:33
BECKHAM
Today on Art of the cut, we speak with Emmy-nominated editor Michael Harte, ACE, about editing the Netflix docu-series, “Beckham.” He was also nominated for an ACE Eddie and a BAFTA for the series. Harte won an Emmy, an ACE Eddie a BAFTA for his editing of the documentary “Still: A Michael J. Fox Movie.” He was also nominated for an Emmy and an ACE Eddie for his editing of the documentary “Three Identical Strangers.” We’re going to be discussing the need to know where and how the documentary s
Aug 22, 2024 • 1:00:58
SLOW HORSES
Today, we’re talking with Zsófia Tálas, who was recently nominated for an Emmy for her episode of the drama, Slow Horses - available on Apple TV Plus. Zsófia’s other work includes the BBC TV series A Good Girl’s Guide to Murder, SkyTV’s The Midwich Cuckoos, and Hulu’s Brassic. She’s also cut feature films including Bad Poems, The Cabin, and Unwelcome. Check out the Art of the Cut blog where there are trailers, stills and exclusive images - including a timeline of the show borisfx.com/blog/aotc
Aug 15, 2024 • 39:31
DEADPOOL & WOLVERINE
Today, we’re talking with Dean Zimmerman, ACE and Shane Reid about editing Deadpool and Wolverine. Dean’s been on Art of the Cut before to discuss the projects: Free Guy, All the Light We Cannot See and Stranger Things, for which he won an Emmy, was nominated for two others, and an ACE Eddie. His other work includes The Darkest Minds, Jumper and Night at the Museum: Battle of the Smithsonian. Dean’s been working on the next season of Stranger Things. Shane Reid was previously on Art of the Cut f
Aug 9, 2024 • 45:08
TWISTERS
Today, we’re talking with Terilyn A. Shropshire, ACE about editing one of this summer’s big blockbusters, “Twisters.” The last time I spoke with Terilyn, she had just edited “The Woman King,” for which she was nominated for an ACE Eddie. We also spoke when she edited “The Old Guard.” Terilyn has been nominated for a Primetime Emmy Award, was nominated for an ACE Eddie for her work on “When They See Us” and she won an ACE Eddie for “Redemption: The Stan Tookie Williams Story.” Terilyn’s other cr
Aug 1, 2024 • 1:02:43
HOW I MET YOUR FATHER
Today on Art of the Cut, we feature one of the recent editing nominees for this year’s Emmys: Russell Griffin, ACE. He’s been nominated for three primetime Emmys and a Kids and Family Emmy. And won an ACE Eddie last year for the How I Met Your Father episode, “Daddy.” This year he’s Emmy nominated for the How I Met Your Father episode “OK, Fine, it’s a Hurricane” in the category, Outstanding Picture Editing For A Multi-Camera Comedy Series. Previous work includes The Upshaws, for which he was no
Jul 25, 2024 • 49:20
CREED III
Today on Art of the Cut, we discuss Michael B. Jordan’s directorial debut, Creed III, with the editors of the film, Jessica Baclesse and Tyler Nelson, ACE. Jessica is currently editing the film Rez Ball. She was an assistant editor on Captain Marvel, has edited numerous short films, and the TV series, Breakwater, Play By Play and In the Vault. Her commercial editing work has been nominated for numerous awards. Tyler has been on Art of the Cut several times, including for his work as an editor o
Jul 18, 2024 • 33:16
JIM HENSON: IDEA MAN
Today on Art of the Cut we speak with Emmy and ACE Eddie winner, Paul Crowder, ACE and Sierra Neal about Ron Howard’s documentary, “Jim Henson: Idea Man” which can be seen on Disney Plus. Paul and Sierra have both been on Art of the Cut previously for their other documentaries with Ron Howard, “Pavarotti” and “The Beatles: Eight Days a Week.” Paul started his rise to editing fame with the documentary Dogtown and Z-Boys which won the Audience Award and directing award at Sundance in 2001 and an
Jul 11, 2024 • 1:08:48
THE WATCHERS
Today on Art of the Cut we speak with Job ter Berg, ACE about the film The Watchers. Job has been on Art of the Cut before - most recently to discuss Gareth Edwards’ sci-fi film, The Creator and before that for Paul Verhoeven’s film, Elle. His other work includes Benedetta, The Informer, and Brimstone. Also, check out the BLOG with exclusive images, and video content, including trailers and clips. You can read along at: borisfx.com/blog/aotc
Jul 4, 2024 • 40:15
HIT MAN
Today on Art of the Cut we speak with Oscar nominee, Sandra Adair, ACE, about the Richard Linklater film, “Hit Man.” Sandra was last on Art of the Cut for her film “Where’d you Go, Bernadette.” She was nominated for an ACE Eddie for her work on “School of Rock.” And she was nominated for an Oscar and won an ACE Eddie for her work on “Boyhood.” Her other work includes “Dazed and Confused,” “A Scanner Darkly,” and “Bernie.” There are a ton of great exclusive photos - including the chart she talke
Jun 27, 2024 • 53:13
THE MORNING SHOW
Today on Art of the Cut we speak with the editing team of the Apple TV Plus show, The Morning Show. We’re speaking with Carole Kravetz Aykanian, Plummy Tucker, ACE, and Henk Van Eeghen, ACE. Carole’s work includes features like The Little Prince, Out of Time, High Crimes, and Devil in a Blue Dress. Also TV series including Dirty John, Ballers, and The Affair. Plummy was last on Art of the Cut to discuss editing the feature film Destroyer. Other features include The invitation and Aeon Flux, and
Jun 20, 2024 • 41:46
AHSOKA
Today on Art of the Cut we speak with the editing team of the Star Wars TV series, Ahsoka: (alphabetically, they are) Dana E. Glauberman, ACE, Rosanne Tan, ACE, and James D. Wilcox, ACE. Dana was nominated for an ACE Eddie Award for her work on Ahsoka, Part Four: Fallen Jedi. She also has received Eddie nominations for multiple feature films, as well as for The Mandalorian, for which she was also nominated for a Primetime Emmy Award. Dana’s been on Art of the Cut for Ghostbuster’s Afterlife, Cr
Jun 13, 2024 • 50:33
MASTERS OF THE AIR
Today on Art of the Cut we speak with Oscar-winning editor, Mark Sanger, ACE and editor Billy Rich about editing the Apple TV + series, Masters of the Air. Mark’s been on Art of the Cut since we chatted about his Oscar-winning film, Gravity, more than a decade ago. We’ve also discussed editing Jurassic World Dominion, Transformers: Last Knight, and Pokemon, Detective Pikachu. Billy Rich has edited features including Ghost in the Shell, Exodus: Gods and Kings, and Promised Land. And TV including
Jun 6, 2024 • 45:38
MUSICA
Today on Art of the Cut we speak with editor Melissa Kent, who has been a guest of the show before for her movie Traffik, and she’s back with us to discuss the feature film Musica which is currently available on Amazon Prime. Melissa’s other work includes the feature films The Age of Adaline, The Virgin Suicides, The Dirt, The Intruder, The Sisterhood of the Traveling Pants 2, and she BEGAN with Francis Ford Coppola’s The Rainmaker. She has also cut TV including Robin Roberts Presents: Mahalia
May 30, 2024 • 51:12
WE GROWN NOW
Today on Art of the Cut we speak with a familiar guest of the podcast and also we get the unique opportunity to speak with the director of the film, We Grown Now. Editor Stephanie Filo, ACE, has been on Art of the Cut to talk about her Emmy and ACE-winning work on A Black Lady Sketch Show and about her Emmy-nominated work on Dahmer: Monster - the Jeffrey Dahmer Story and History of the World Part II. Stephanie has also won an Emmy and a Peabody Award for her documentary editing work, and was nom
May 23, 2024 • 1:06:17
FOUNDATION
Today on Art of the Cut we speak with the editors of the Apple TV Plus series, Foundation, based on Isaac Asimov’s sci-fi trilogy. On the call today are Paul Trejo, ACE, Miklos Wright, ACE, Emily Greene, ACE, Sidney Wolinsky, ACE, and Olivia Wyrick. Paul Trejo has cut TV series including Black Sails, Carnival Row, Tom Clancy’s Jack Ryan and Locke and Key. He was also the sound editor on Scarface and The Cotton Club. Miklos Wright edited Open Range, Mr. Brooks, Luke Cage and 3000 Miles to Gracela
May 16, 2024 • 45:21
THE FALL GUY
Today on Art of the Cut we speak with editor Elisabet Ronaldsdottir, ACE and her first assistant editor, Matt Absher about The Fall Guy. Elisabet has been on Art of the Cut for many of her big action, stunt spectaculars, including the first John Wick, Atomic Blonde, Shang Chi and the Legend of the Ten Rings, and Bullet Train. She's been nominated for ACE Eddies for her work on Deadpool 2 and Kate. Matt Absher has been a first assistant editor on Shang-Chi and the Legend of the Ten Rings, De
May 9, 2024 • 40:44
3 BODY PROBLEM
Today on Art of the Cut we’re talking with some of the editors of Netflix’s sci-fi series, 3 Body Problem. With us for today’s interview are Anna Hauger, ACE, Michael Ruscio, ACE and Simon Smith, ACE. Katie Weiland was also an editor on the show but was unable to join us. Anna’s credits include Westworld, Station Eleven, and Watchmen. Michael’s credits include the TV series True Blood, Altered Carbon, Six Feet Under, and House of Cards. Simon has been on Art of the Cut previously for his ACE Edd
May 2, 2024 • 41:23
SHOGUN
Today on Art of the Cut we’re talking with two of the editors of the epic FX Network series, Shogun. With us today are Aika Miyake and Maria Gonzales. Thomas Krueger also edited the series but was unable to join us. Aika is originally from Japan, where she cut mostly TV spots. Her other work includes Chef’s Table: BBQ, the documentary, Hafu: The Mixed-Race Experience in Japan, and additional editing on the feature Black is King. Maria’s credits include TV series including The Walking Dead, Count
Apr 25, 2024 • 40:38
GRISELDA
Today on Art of the Cut we’re talking with one of the editors of the Netflix mini-series, Griselda. Kelly Stuyvesant joins us for this conversation. The other editors on the series are Joaquin Elizondo and Christopher Cavanaugh. Kelly’s credits include work on Agents of SHIELD, Helstrom, and The Sandman. Don't forget to follow along with this podcast on Boris FX's blog, the transcribed interview is available with trailers, clips, timeline screenshots and all kinds of great material, bor
Apr 18, 2024 • 44:52
ESCAPING TWIN FLAMES
Today on Art of the Cut we’re talking with one of the ACE Eddie winning editors of “Escaping Twin Flames,” which won the Eddie for Best Edited Documentary, non-theatrical. Inbal Lessner was the Executive Producer and Supervising editor. We last spoke with Inbal for Seduced: Inside the NXIVM Cult “Exposed” which was nominated for an ACE Eddie in 2021. Her other work includes the documentary, Brave Miss World, and work on CNN’s series of “decade” defining documentaries - for which she was nominat
Apr 11, 2024 • 49:36
HOW TO BLOW UP A PIPELINE
Today on Art of the Cut, we’re talking to the winner of the Indie Spirit Award for Best Editing: Daniel Garber, about his work on the film How to Blow up a Pipeline. Daniel’s other work includes the feature film, Cam - which was also a collaboration with his “Pipeline” director, Daniel Goldhaber. Daniel has also worked in documentary editing on films like Some Kind of Heaven, and the documentary series, Naomi Osaka. He was also an additional editor on the Sundance documentary Riotsville, USA, wh
Apr 4, 2024 • 40:30
GHOSTBUSTERS: FROZEN EMPIRE
Today on Art of the Cut, we’re talking about Ghostbusters: Frozen Empire with editors Nathan Orloff and Shane Reid. Nathan’s been a guest on Art of the Cut a few times including for the last Ghostbusters - Afterlife, and also for John Wick 4. Shane Reid is coming from the world of TV spot editing - as you’ll hear in the interview and music videos. He’s really starting off his feature film career with this film and - amazingly - another in just a few months - Deadpool & Wolverine.
Mar 28, 2024 • 46:26
Oscar-winning documentary "20 DAYS IN MARIUPOL"
Today on Art of the Cut, we’re talking with producer and editor Michelle Mizner about the film “20 Days in Mariupol.” It won the Sundance Audience Award, a DGA Award, a BAFTA Award, and the Oscar for Best Documentary Feature. Michelle was also nominated for an ACE Eddie and won a BFE Award for her editing of the film. Michelle is a Sundance and Emmy award-winning documentary film editor and producer who is on staff at FRONTLINE PBS. Her other editing work includes. PUTIN’S ATTACK ON UKRAINE: D
Mar 21, 2024 • 51:30
DUNE 2
Today on Art of the Cut, we’re talking with Oscar winner, Joe Walker, ACE. I interviewed Joe in person just before the ACE Eddies at his home on a rainy Los Angeles day… you may hear some of that in the background. Joe was one of the very first Art of the Cut guests on March 18th, 2014 - a decade ago - when he was nominated for an Oscar, a BAFTA and an ACE Eddie for his editing of 12 Years a Slave. Since then we’ve talked about his work on Sicario - another ACE Eddie nomination - Arrival - BAFTA
Mar 14, 2024 • 38:12
WALTER MURCH, ACE - SUDDENLY SOMETHING CLICKED
Today on Art of the Cut, we’re talking with multi-Oscar winner, Walter Murch, ACE. I interviewed Walter in person just before his appearance at the 2024 ACE Eddie Awards to receive his Career Achievement Award - an award which was presented by his long-time friend and collaborator, George Lucas. Murch's career is filled with cinematic cultural touchstones. He was nominated for an Oscar for sound and won BAFTAS for both sound and editing on The Conversation. He was nominated for a BAFTA and a
Mar 7, 2024 • 1:03:00
ARGYLLE
Today on Art of the Cut, we’re talking with two of the three editors of Matthew Vaughn’s comedy/action film, Argylle. Joining us for today’s discussion are Tom Harrison-Read and Oscar-winning editor Lee Smith, ACE. Lee’s been on Art of the Cut several times including for Dunkirk, 1917, Dark Phoenix, and Spectre. Lee was nominated for a BAFTA for The Piano, for an Oscar and an ACE Eddie for Master and Commander. Nominated for an Oscar, a BAFTA, and an ACE Eddie for The Dark Knight. Nominated for
Feb 29, 2024 • 48:26
AMERICAN SYMPHONY
Today on Art of the Cut, we’re talking with the editors of the ACE Eddie nominated documentary, American Symphony. Sammy Dane steps into the edit chair for the first time. His previous films include assistant editing on After Shock, The Boy From Medellin, 16 Bars, and Hip Hop, the Songs that Shook America. Jim Hession has cut Marina Amramovic: The Artist is Present, the TV series The Deep End, Philly D.A., and David Blaine: The Magic Way. And Fernando Villegas has cut HBO Boxing, Golden, The Jo
Feb 22, 2024 • 50:15
ANATOMY OF A FALL
Today on Art of the Cut, we’re talking with editor Laurent Sénéchal who is nominated for an Oscar for Best Editing and an ACE Eddie for his work on the Oscar Best Picture nominee, Anatomy of a Fall. His previous work - for the last nearly 20 years - has been in French and European TV and features.
Feb 15, 2024 • 32:31
PAST LIVES
Today on Art of the Cut, we’re talking with editor Keith Fraase, about the Oscar Best Picture nominated film, “Past Lives.” Keith is also nominated for an ACE Eddie for Best Edited Dramatic Feature for the film. Keith’s past work includes the feature films: Knight of Cups, To the Wonder, Chappaquiddick, and Song to Song. There's a lot of great exclusive and personalized visual content - timelines, screenshots of bins, WFH set-ups, etc. - on the blog, so you can read along there! borisfx.com
Feb 8, 2024 • 43:55
LESSONS IN CHEMISTRY
Today on Art of the Cut, we’re talking with editors Geraud Brisson, ACE, and Daniel Martens about their ACE Eddie nomination for their episode - the finale of Lessons in Chemistry. The series was also edited by Matthew Barbato, Laura Zempel, ACE, Jack Cunningham, and Lilly Wild. Geraud was previously a guest on Art of the Cut to discuss CODA when it won the Oscar for Best Picture. His other projects include Camp X-Ray and the TV series Counterpart. He’s currently editing the TV series Shogun. Da
Feb 1, 2024 • 43:00
THE COLOR PURPLE
Today on Art of the Cut, we’re talking with editor Jon Poll, and additional editor, Kheireddine El-Helou. They’ve joined us to talk about The Color Purple. Jon’s credits include Father of the Bride, Bombshell, The Greatest Showman, Meet the Fockers, and Austin Powers: The Spy Who Shagged Me, among many others. Kheireddine has also been an additional editor on films like Father of the Bride and Blackhat, assistant editor on Power Rangers and Muppets Most Wanted, among others. If you want to read
Jan 25, 2024 • 50:23
AMERICAN FICTION
Today on Art of the Cut, we speak with Hilda Rasula, ACE, about editing “American Fiction” which won the AFI’s Movie of the Year Award and was nominated for a Spirit Award, a Critic’s Choice award, a Golden Globe and the PGA for best picture and could be on the list for the Oscar. Hilda’s previous features include Moving On, Vengeance, French Exit and the TV series, Our Flag Means Death, among many other projects. Don't forget to follow along with the transcription which includes lots of gre
Jan 18, 2024 • 48:41
POOR THINGS
Today on Art of the Cut, we’re talking with Yorgos Mavropsaridis, ACE, the editor of Oscar-shortlister, Poor Things. Yorgos was an ACE nominee for The Lobster. He was nominated for a BAFTA and an Oscar and won the ACE Eddie for The Favourite. In addition he’s edited The Killing of a Sacred Deer, and has over 100 international film credits. Yorgos was a previous guest on Art of the Cut for The Favourite. There are great clips and timeline screenshots and trailers available, so if you want, you ca
Jan 11, 2024 • 31:56
FERRARI
Today on Art of the Cut, we’re talking with Oscar-winning editor, Pietro Scalia, ACE about editing Michael Mann’s Ferrari. Scalia won the Oscar and an ACE Eddie for JFK. Was nominated for an Oscar and an ACE Eddie for Good Will Hunting. Won a BAFTA and an ACE Eddie and was nominated for an Oscar for Gladiator. Won an Oscar and an ACE Eddie and was nominated for a BAFTA for Black Hawk Down. Nominated for another BAFTA for American Gangster. And was nominated for a BAFTA and an ACE Eddie for The
Jan 4, 2024 • 47:16
WONKA
Today on Art of the Cut, we’re talking with BAFTA nominee, Mark Everson, about editing Wonka. Mark has edited both of the Paddington movies, Dora and the Lost City of Gold, and Johnny English Strikes Again. His TV work includes Tracey Ullman’s Show, The Toast of London, and his BAFTA nomination for The Mighty Boosh. Please check out the transcribed interview - with visuals - at borisfx.com/blog/aotc
Dec 28, 2023 • 46:17
MAESTRO
Today on Art of the Cut, we’re talking with Emmy and ACE Eddie winning editor, Michelle Tesoro, ACE about editing Bradley Cooper’s Maestro. Michelle won an Emmy and an ACE Eddie for editing Queen’s Gambit. She also edited the feature films Flag Day and On the Basis of Sex. And TV series including Fringe, House of Cards, When They See Us, and Ballers.
Dec 21, 2023 • 31:05
SILENT NIGHT
Today on Art of the Cut, we’re talking with Oscar-winning editor Zach Staenberg, ACE about editing John Woo’s latest film, “Silent Night.” Zach won an Oscar and an ACE Eddie for original Matrix film. He’s also been nominated for an Emmy and won an ACE Eddie for “Gotti.” His other work includes Ava, Pacific Rim: Uprising, Speed Racer, Matrix Reloaded, Matrix Revolutions. and Police Academy. If you want to read this interview with visual support, check out borisfx.com/blog/aotc.
Dec 14, 2023 • 40:32
NAPOLEON
Today on Art of the Cut, we’re talking with Oscar-winner, Claire Simpson and Sam Restivo about editing Ridley Scott’s “Napoleon.” Claire won an Oscar, a BAFTA, and an ACE Eddie for editing Platoon. She won a BAFTA and was nominated for an Oscar and an ACE Eddie for The Constant Gardner. Other films include Nine, Wall Street, and The Last Duel. Sam Restivo has been an additional editor on several films including The Greatest Showman, The Last Duel and House of Gucci. He was also an additional e
Dec 7, 2023 • 43:11
THE HOLDOVERS
Today on Art of the Cut, we’re talking with Kevin Tent, ACE, about his long-time collaboration with director Alexander Payne and their latest film, “The Holdovers.” Kevin’s been on Art of the Cut before for his last Alexander Payne collaboration, “Downsizing” and for “The Peanut Butter Falcon.” Kevin has been nominated for numerous ACE Eddies for his work on Election, About Schmidt, Sideways and Nebraska. He also won an ACE Eddie and was nominated for an Oscar for his work on The Descendants. W
Nov 30, 2023 • 40:05
THE KILLER
Today on Art of the Cut, we’re talking with Kirk Baxter, ACE, about editing David Fincher’s latest: The Killer, which is now on Netflix. Kirk’s been on Art of the Cut before - for Gone Girl and for Mank. He was nominated for an Oscar, a BAFTA and an ACE Eddie for The Curious Case of Benjamin Button. He won an Oscar, a BAFTA and an ACE Eddie for The Social Network. He was nominated for an ACE Eddie and won an Oscar for The Girl with the Dragon Tattoo. Was nominated for an Emmy for House of Cards.
Nov 23, 2023 • 43:04
ALL THE LIGHT WE CANNOT SEE
Today on Art of the Cut, we’re talking with Dean Zimmerman, ACE about the limited Netflix series, All the Light We Cannot See, directed by his long-time collaborator, Shawn Levy. Dean’s been on Art of the Cut before for “Free Guy” and “Stranger Things” and “Mazerunner.” He’s part of a legendary editing family, headed by his father Don Zimmerman, who just received the Lifetime Achievement Award from the American Cinema Editors this year. Dean won an Emmy and was nominated for an ACE Eddie in 20
Nov 16, 2023 • 43:44
Killers of the Flower Moon
Today on Art of the Cut, it’s my pleasure to speak with legendary editor Thelma Schoonmaker, ACE, about working with her legendary director, Martin Scorsese, about their latest film, “Killers of the Flower Moon.” Thelma’s filmography includes editing eight Oscar Best Picture nominated films. She was nominated for her first Oscar for Best editing for “Woodstock” in 1971. Her co-editor on that film was Martin Scorsese, actually. She won an ACE Eddie, a BAFTA and an Oscar for editing "Raging
Nov 9, 2023 • 36:36
THE PIGEON TUNNEL
Today on Art of the Cut, it’s my pleasure to speak with Errol Morris’s longtime editor, Steven Hathaway. This discussion is about Morris’s latest documentary, The Pigeon Tunnel, about one of the world’s most famous novelists… and spy, John le Carre. The film recently released in theaters and is currently streaming on Apple Plus. Hathaway has edited several films for Morris including American Dharma, The Unknown Known, and Standard Operating Procedure. He was also an associate editor on Morris’s
Nov 2, 2023 • 37:19
BIRTH REBIRTH
Today on Art of the Cut, it’s my pleasure to speak with ACE Eddie-winning and Emmy-winning editor, Taylor Mason, ACE, about the film Birth/Rebirth, which was in theaters earlier this year and is now available on Amazon Prime or Apple TV. Previously, Taylor has edited A Black Lady Sketch Show, Dahmer: Monster - The Jeffrey Dahmer Story, and Pose. She’s also been an assistant editor on Bladerunner 2049, Dune, and DC League of Super-Pets. Read along with the podcast for visuals and videos and even
Oct 27, 2023 • 34:44
The Caine Mutiny Court-Martial
Today on Art of the Cut, we speak with Darrin Navarro, ACE, who started his career with the legendary Roger Corman and has edited films including The Lovers, The End of the Tour, Killer Joe and I Love Dick. Darrin has worked with legendary director William Friedkin for years, starting as an assistant editor. Novarro talks about The Caine Mutiny Court Martial - his final collaboration with Friedkin - who passed away recently. Check out the blog of this podcast here: https://borisfx.com/blog/aot
Oct 19, 2023 • 40:54
THE BURIAL
Today on Art of the Cut, we speak with one of the editors of the movie The Burial. Edited by Lee Percy, ACE and Jay Cassidy, ACE - BOTH have been guests on Art of the Cut in the past. This time around, we spoke with Lee about his work on the film. Lee previously spoke to Art of the Cut about his work on The Mountain Between Us. Lee won an ACE Edie back in 1995 for his work on the film, Against the Wall. He won an Emmy for his work on Grey Gardens and another Eddie for the film, Taking Chance. If
Oct 12, 2023 • 34:14
THE CREATOR
Today on Art of the Cut, we speak with four members of the editorial team for Gareth Edwards film, “The Creator.” Joining me to discuss the challenges and rewards of this film are Oscar winning editor, Joe Walker, ACE. Also Oscar-nominated editor, Hank Corwin, ACE. We’ll also be talking to Scott Morris, and an old friend Job ter Burg, ACE - NCE, who served as additional editor. Walker’s credits - just the ones he’s been on Art of the Cut for in the past - include 12 Years a Slave, Sicario, Arriv
Oct 5, 2023 • 53:17
CARLOS
Today on Art of the Cut, we speak with director, Rudy Valdez, and his editor Viridiana Lieberman about the new documentary, Carlos about guitar legend, Carlos Santana. Rudy is a two-time Emmy Award-winning filmmaker. His HBO documentary The Sentence was a Sundance Audience Award-winner. He’s also worked on numerous other projects as a cinematographer. Viri, also worked on The Sentence with Rudy as his editor, and she’s a director in her own right, directing the ESPN documentary, Born to Play, w
Sep 28, 2023 • 42:41
A HAUNTING IN VENICE
Today on Art of the Cut, we speak with Lucy Donaldson, the editor of Kenneth Branagh’s latest film, “A Haunting in Venice.” Lucy’s feature film work includes Unspoken, Breaking News in Yuba County, Ma, Stuck, and Choice.
Sep 21, 2023 • 39:09
GRAN TURISMO
Today on Art of the Cut, we speak with the editors of Gran Turismo - Colby Parker, Junior, ACE, Austyn Daines, and co-editor, Eric Freidenberg. Colby’s been on Art of the Cut before for his work on Mile 22. Colby was nominated for an ACE Eddie for his work on Ant-Man. His other work includes Patriot’s Day, Deepwater Horizon, Lone Survivor and Battleship. Austyn has edited the feature film “Demonic” and the Travis Scott documentary, “Look Mom, I can Fly.” Eric has cut features including Kandahar
Sep 14, 2023 • 48:28
30th Anniversary of The Fugitive with director Andrew Davis
Today on Art of the Cut, a little change of pace. August was the 30th anniversary of the movie, The Fugitive, directed by Andrew Davis and edited by Don Brochu, David Finfer, Dean Goodhill, Dov Hoenig, Richard Nord and Dennis Virkler. Why so many editors? You’ll soon find out as I talk to director Andrew Davis about the evolution of the film through editing, his thoughts on being one of the first directors to try to cut a film using Avid Media Composer, and what he looks for when choosing a new
Sep 7, 2023 • 26:06
OPPENHEIMER
Today on Art of the Cut, Jennifer Lame, ACE, discusses editing Oppenheimer with some of the key members of her editing team: Additional Editor, Mike Fay, First Assistant editor (Avid) Nick Ellsberg, and First Assistant Editor (film), Tom Foligno. Jennifer Lame was an early Art of the Cut guest when she edited Manchester By the Sea, for which she was nominated for a BAFTA and an ACE Eddie. She has since edited Hereditary, Marriage Story - also nominated for an ACE Eddie - Tenet, and Black Panther
Aug 31, 2023 • 1:00:53
Succession
Today on Art of the Cut, Ken Eluto, ACE, Jane Rizzo, ACE and William Henry, ACE discuss cutting Succession, which has earned all three of them Emmy nominations for separate episodes this year. Ken landed his first Emmy nomination in 1996 for American Experience. He was also nominated for an Emmy and an ACE Eddie for 30 Rock, then WON an Emmy and ACE Eddie the following year for 30 Rock again. More Emmy nominations and another ACE Eddie nomination came his way for 30 Rock in subsequent years, the
Aug 24, 2023 • 30:57
TRIPLE EMMY-NOMINEE STEPHANIE FILO, ACE
Today on Art of the Cut, editor Stephanie Filo, ACE. Stephanie just hit the Emmy trifecta: she was nominated for three Emmys for three different series! She was nominated for Outstanding Editing in a Variety Program for A Black Lady Sketch Show along with editors Malinda Zehner Guerra, and Taylor Mason. Also in the Variety Programming category, she's nominated for History Of The World Part II with her co-editors, Angel Bryant, Daniel Flesher, and George Mandl. And finally, for Outstanding e
Aug 17, 2023 • 39:48
The White Lotus
Today we’re talking with the editors of the TV series, The White Lotus which has been nominated for Emmy Awards in the Outstanding Picture Editing in a Drama Series category. Heather Persons, ACE has been nominated for her episode, “Abductions” and John Valerio, ACE has been nominated for his episode “Arrivederci.” Heather has been nominated three times before for Emmys, three times for ACE Eddies, and for a BAFTA. She’s edited features, like “Sunshine Cleaning” and was an additional editor on “
Aug 10, 2023 • 31:00
JOY RIDE
Today we’re talking with Nena Erb, ACE about the film Joy Ride. Nena has won two Primetime Emmys for her work on Project Greenlight and Insecure. She also has three ACE Eddie nominations - two for Insecure, and one for Crazy Ex-Girlfriend. Her other work includes editing Justin Bieber’s Believe, the TV series Little America, and the feature film Little Owl, which also just released.
Aug 3, 2023 • 46:47
Barbie
Today we’re talking with some of the editing team from the biggest pinkest movie to hit screens in a while - Barbie. With us for this conversation are editor Nick Houy, ACE… his first assistant editor, Nick Ramirez, apprentice editor, Maya Rivera, and post PA, Abdul Ndadi. Nick Huoy has been on Art of the Cut before for director Greta Gerwig’s Little Women. Nick started out as an apprentice to Naomi Geraghty. And in 2012 moved to the editor’s chair where he was an additional editor on Girl Mos
Jul 27, 2023 • 59:15
MISSION: IMPOSSIBLE - Dead Reckoning
Today we’re talking with Eddie Hamilton, ACE about Mission: Impossible - Dead Reckoning. Eddie was last on Art of the Cut to discuss Top Gun Maverick - which was the most listened to episode of the last year. He’s also talked with Art of the Cut about Mission Impossible: Fallout, Kingsman: The Golden Circle, Mission Impossible Rogue Nation, and Kingsman: Secret Service. I think that’s enough enormous blockbusters, but I’ll also throw in Kickass, Kickass 2, and X-Men First Class and even Reside
Jul 20, 2023 • 1:00:33
FAST X
Today we’re talking with Kelly Matsumoto, ACE and Dylan Highsmith about editing Fast X. Dylan has worked his way up, mainly as a VFX Editor, including on Fast Five. And has been an editor on Fast and Furious 6, Furious 7, The Fate of the Furious, and Fast 9. He’s also edited Pacific Rim: Uprising, and Star Trek Beyond. Kelly’s experience with the Fast series goes back to before 2006 with The Fast and the Furious: Tokyo Drift. Also, Fast Five, Fast and Furious 6, and Fast 9. Kelly’s other credit
Jul 13, 2023 • 50:59
Asteroid City
Today we’re talking with Oscar nominee and multiple BAFTA nominee Barney Pilling, ACE about editing Wes Anderson’s Asteroid City. Barney has been nominated for BAFTAs for his editing of Spooks, Life on Mars, and The Grand Budapest Hotel. He was also nominated for a BAFTA and won an ACE Eddie for The Grand Budapest Hotel. His other work includes Mrs. Harris Goes to Paris, Annihilation, and Suffragette. Also, numerous TV series including Outcasts, Playhouse Presents, and Mum.
Jul 6, 2023 • 43:45
Spider-Man: Across the Spider-Verse
Today we’re talking with Michael Andrews, ACE, editor of the incredible animated feature, Spider-Man: Across the Spider-Verse. Anyone who has seen this has to just be in awe of how something like this got made - and Mike’s gonna shed some light on that for us. Mike’s credits include editing Paws of Fury: The Legend of Hank, The SpongeBob Movie: Sponge on the Run, Mr. Peabody and Sherman, Megamind, Shrek, Shrek 2, and Shrek the Third. When you figure that each of those was probably a multi-year
Jun 29, 2023 • 31:46
ANDOR
Today we’re talking with three of the editors of the Disney Plus series, Andor - John Gilroy, ACE. Yan Miles, ACE and Simon Smith. John Gilroy, ACE is an editor and also a producer on the series. He was nominated for a BAFTA and an ACE Eddie for the feature film Michael Clayton. And he was nominated for an ACE Eddie and a BAFTA for Nightcrawler. His feature work includes Rogue One: A Star Wars Story, Suicide Squad, Pacific Rim, The Bourne Legacy, and Salt, among many others. Yan Miles, ACE has
Jun 22, 2023 • 43:13
THE LAST OF US
Today we’re talking with two of the editors of the TV series, The Last of Us - Timothy Good, ACE and Emily Mendez. Tim edited the feature Dead Man Down and numerous TV series including The Umbrella Academy, The Resident and others. Emily Mendez was an assistant editor on all 9 episodes of The Last of Us and editor for four of them. She was an assistant editor on TV series like The Umbrella Academy and The Resident, and an editor on the series Light as a Feather.
Jun 15, 2023 • 1:07:51
Wednesday
Today is the 400th episode of Art of the Cut. We’re talking with two of the editors of the TV series, Wednesday. They are Jay Prychidny, CCE and Ana Yavari. Jay joined us just a few months ago to chat about editing Scream 6. Jay has won or been nominated for numerous Canadian Cinema Editors Awards for projects including The Alienist, Orphan Black, Canada’s Next Top Model, The Next Step, and Lost and Found Music Studios. He also won a BAFTA for The Next Step. His other credits include the TV seri
Jun 8, 2023 • 29:45
POKER FACE
Today we’re talking with the editors of the TV series, Poker Face. Those editors are Bob Ducsay, ACE, Glenn Garland, ACE, Paul Swain, and Shaheed Qaasim. Bob’s been on the show several times, most recently for the two Knives Out mysteries. He also edited Star Wars: The Last Jedi, Looper, Godzilla King of the Monsters, and Rampage among many others. Glenn is a fellow editing podcaster himself. He hosts the Editors on Editing podcast, so the pressure is on. His work includes King of California an
Jun 1, 2023 • 41:05
STAR TREK: PICARD with editor Drew Nichols
Today we’re talking with the editor of the TV series, Star Trek: Picard. Discussing season 3, is editor Drew Nichols, who is also an associate producer on the show. Drew started off in reality and documentary programming about 15 years ago and transitioned into scripted as an assistant editor on great shows like Mad Men and True Detective. He moved into the scripted television editors chair on 12 Monkeys, The In Between, American Cartel, and MacGyver.
May 25, 2023 • 53:03
BEEF
Today we’re talking with Harry Yoon, ACE, Laura Zempel, Jordan Kim, and Nat Fuller about the TV series Beef. This is the first in a series of six Art of the Cut episodes leading up to Emmy voting. Upcoming shows will feature editors from Andor, Picard, Poker Face, The Last of Us, and Wednesday. Harry Yoon has been on Art of the Cut many times before, most recently for the film, Minari, but also for the films Detroit, Shang-Chi and the Legend of the Ten Rings, and Best of Enemies. Harry was also
May 18, 2023 • 44:48
Guardians of the Galaxy: Volume 3
Today on Art of the Cut, editors Fred Raskin, ACE and Greg D'Auria discuss the editing of James Gunn's Guardians of the Galaxy: Volume 3. Fred’s been a guest on Art of the Cut for Quentin Tarantino's Hateful Eight. He was also a guest for Once Upon a Time in ... Hollywood. He was on for the previous Guardians movie and for The Suicide Squad. He also edited the first Guardians movie, Django Unchained, Fast and Furious, Fast And Furious: Tokyo Drift, and Fast Five. Greg is also an alum
May 11, 2023 • 48:20
OSCAR and BAFTA-winning documentary "Navalny"
Today we’re talking with Langdon Page, one of the two editors on the Oscar and BAFTA-winning documentary, Navalny. For which the editors won a British Film Editors award and were nominated for an ACE Eddie. Langdon’s credits include documentaries including Detainee 1, The Cost of Silence, and Maplethorpe: Look at the Pictures. He’s also edited the feature film Mary. Navalny was co-edited with Maya Hawke, who was unable to join the discussion.
May 4, 2023 • 58:49
AIR with William Goldenberg, ACE
Today we’re speaking with Oscar-winning editor, William Goldenberg, ACE about his work on the feature film Air, directed by his long-time collaborator, Ben Affleck and starring Affleck, Matt Damon, Viola Davis and Jason Bateman. Goldenberg has been a guest on Art of the Cut numerous times for films including The Outfit, News of the World, 22 July, Detroit, and Live by Night. He was nominated for an ACE Eddie and an Oscar for The Insider, another Oscar and Eddie nomination for Seabiscuit. The
Apr 27, 2023 • 31:00
Chevalier with John Axelrad, ACE and additional editor Jared Simon
Today we’re talking with John Axelrad, ACE and his additional editor – and first assistant editor - Jared Simon about the film Chevalier. John and I have spoken several times through the years on Art of the Cut including for Antebellum, Ad Astra and Lost City of Z. Other feature work includes Papillon and Krampus. TV work includes Hack and Alien Fury: Countdown to Invasion. Jared’s assistant editor work includes Antebellum, Ad Astra, Dog and The New Mutants. His TV assisting includes New Amsterd
Apr 20, 2023 • 36:21
Dan Schalk, ACE discusses editing "A Good Person"
Today we’re talking with Dan Schalk, ACE about editing “A Good Person” which was directed by Zach Braff and stars Florence Pugh and Morgan Freeman. Dan has moved from LA to Lake Geneva, Wisconsin which is where he edited this film, so we chatted from only a few miles away from each other - me in Chicago. Dan’s filmography includes - among others - "The Superhero Movie," "She’s Out of My League," Judd Apatow’s "The Bubble," and "Girl in Progress." His work
Apr 13, 2023 • 41:58
John Wick 4 with editor Nathan Orloff
Today we’re speaking with Nathan Orloff about John Wick 4. Nate was a guest on Art of the Cut previously for Ghostbusters: Afterlife. His other work includes the feature film "Plan B," and work as an additional or associate editor on "Samaritan," "The Front Runner” “Tully,” and “10 Cloverfield Lane.”
Apr 6, 2023 • 41:54
Weird: The Al Yankovic Story with ACE Eddie-winning editor, Jamie Kennedy
Today we’re speaking with Jamie Kennedy who recently won the ACE Eddie for Best Edited non-theatrical Feature film for her work on Weird: The Al Yankovich Story. She’s edited the feature film Blueprint, and TV shows like The Summer I Turned Pretty, On My Block, Love, Victor, Die Hart and Flipped. She was also an editor on Modern Family after several seasons on the show as an assistant editor.
Mar 30, 2023 • 44:43
Jay Prychidny, CCE discusses editing "Scream VI"
Today we’re speaking with Jay Prychidny, CCE about editing Scream 6. Jay has won or been nominated for numerous Canadian Cinema Editors Awards for projects including The Alienist, Orphan Black, Canada’s Next Top Model, The Next Step, and Lost and Found Music Studios. He also won a BAFTA for The Next Step. His other credits include the TV series Snowpiercer, Altered Carbon, and Wednesday.
Mar 23, 2023 • 35:29
Chris Tellefsen, ACE discusses editing The Menu
Today we’re speaking with Chris Tellefsen, ACE about his ACE Eddie-nominated editing of The Menu. Chris has been a guest on Art of the Cut several times before for The Many Saints of Newark: A Soprano’s Story, also for A Quiet Place and Assassin’s Creed. He also worked on Joy, which was a previous Art of the Cut interview. Chris was nominated for TWO ACE Eddie in 2000 - for Analyze This and Man on the Moon. He was nominated for an ACE Eddie and an Oscar for Moneyball. Another ACE Eddie nominatio
Mar 16, 2023 • 39:08
Ant-Man and the Wasp: Quantumania with editors Laura Jennings and Adam Gerstel
Today on the ninth year anniversary of Art of the Cut, Adam Gerstel and Laura Jennings discuss Ant-man and the Wasp: Quantumania. Laura has had a long career as a VFX editor on films like Sherlock Holmes, John Carter, Skyfall, and Pan. She’s also edited features including Edge of Tomorrow, and Maleficent: Mistress of Evil. Adam has been a guest on Art of the Cut before with The Lion King and The Mandalorian. He’s been a VFX editor on films like The Aviator and Eat, Pray, Love. He’s also edited f
Mar 2, 2023 • 45:45
All the Beauty and the Bloodshed with editor Amy Foote
Today on Art of the Cut, we discuss the ACE Eddie nominated documentary “All the Beauty and the Bloodshed” with one of its editors, Amy Foote. Joe Bini and Brian A. Kates, ACE weren’t available, but are also nominated for the film. Amy’s credits include the documentaries Father Soldier Son, Hail Satan, A Matter of Taste: Serving up Paul Liebrandt, And Bombshell: The Hedy Lamar Story
Feb 23, 2023 • 38:14
Oscar-nominated documentary "All the Beauty and the Bloodshed" with ACE Eddie nominated editor Amy Foote
Today on Art of the Cut, we discuss the Oscar nominated documentary “All the Beauty and the Bloodshed” with one of its editors, Amy Foote. Joe Bini and Brian A. Kates, ACE weren’t available, but are also nominated for ACE Eddies for the film. Amy’s credits include the documentaries, Father Soldier Son, Hail Satan, A Matter of Taste: Serving up Paul Liebrandt, and Bombshell: The Hedy Lamar Story.
Feb 23, 2023 • 38:14
Oscar, BAFTA, and ACE Eddie nominated documentary Fire of Love with the editors of the film, Erin Casper and Jocelyne Chaput.
Today on Art of the Cut, we discuss the Oscar, BAFTA, and ACE Eddie nominated documentary Fire of Love with the editors of the film, Erin Casper and Jocelyne Chaput. Jocelyne’s credits include the documentaries People of a Feather, Fractured Land, Starlight & other Sounds: the music of Alexina Louie, and Power of the River. Erin’s credits include the documentaries Risk, The Seer and the Unseen, American Promise, and Roll Red Roll.
Feb 21, 2023 • 42:25
BAFTA and ACE Eddie nominee Sven Budelmann discusses editing "All Quiet on the Western Front"
Today on Art of the Cut, Sven Budelmann discusses his work on the film “All Quiet on the Western Front.” His editing on the film has been nominated this year for both a BAFTA and an ACE Eddie, and the film has been nominated for nine Oscars including Best Picture. Sven’s other work includes the feature film, The Physician -among many others - and TV series - with work on seven European TV series - including The Defeated and Deutchland 83.
Feb 16, 2023 • 49:02
Oscar-nominee Matt Chesse discusses editing "A Man Called Otto"
Today on Art of the Cut, Oscar-nominee Matt Chesse discusses the editing of "A Man Called Otto." Matt was nominated for an ACE Eddie and an Oscar for “Finding Neverland.” His other feature film credits include "Christopher Robin," "World War Z," "Quantum of Solace," and "Monster’s Ball."
Feb 9, 2023 • 1:23:27
Billy Fox, ACE discusses editing "Devotion"
Today on Art of the Cut, Billy Fox, ACE discusses editing “Devotion” - the dramatic film about the first black naval pilot during the Korean War. Billy has been on Art of the Cut in the past to discuss Only the Brave, Dolemite is my Name, and Straight Outta Compton. Other features include Hustle and Flow, Coming 2 America, and Footloose. TV series include FBI and Chicago Fire, Law and Order, Band of Brothers and let’s not forget Pee-Wee’s Playhouse!
Feb 2, 2023 • 43:18
Oscar-winning editor Conrad Buff, ACE on editing "Emancipation"
Today on Art of the Cut, Oscar-winning film editor Conrad Buff, ACE on editing Antoine Fuqua’s “Emancipation,” which stars Will Smith. Conrad has been on Art of the Cut in the past to discuss American Assassin and Huntsman: Winter’s War. The rest of his filmography includes a few small films that you might recognize. He was nominated for an Oscar and an ACE Eddie for Terminator 2: Judgment Day. He was nominated for another ACE Eddie for True Lies. AND He was nominated for a BAFTA and WON an Osca
Jan 26, 2023 • 24:51
Oscar-winner Lee Smith, ACE discusses editing "Empire of Light"
Today on Art of the Cut, Oscar-winning film editor Lee Smith, ACE, on editing Sam Mendes’ “Empire of Light.” Lee and I have spoken numerous times before including on 1917, Dunkirk and Spectre. Lee was nominated for an Oscar for Master and Commander, nominated for another Oscar for “The Dark Knight,” nominated for an ACE Eddie and a BAFTA for Inception, and won an Oscar for Dunkirk. Other credits include Interstellar, X-Men: First Class, The Prestige, and Batman Begins.
Jan 19, 2023 • 37:12
Chad Galster, ACE discusses editing "Yellowstone," "1883," and "1923"
Today on Art of the Cut, Chad Galster, ACE discusses cutting the series “Yellowstone.” Our discussion also covers spin-offs “1883” and “1923.” Chad cut the 2021 movie “Those Who Wish Me Dead” (also written and directed by “1883” creator Taylor Sheridan.) He’s also edited the features “A Score to Settle” and “Beautiful Boy” and the TV series “Mayor of Kingston,” “The Proposal,” “The Bachelor” and “The Bachelorette.” One of the things we’ll be discussing is his move from reality TV to scripted TV
Jan 12, 2023 • 1:06:51
Oscar-winner Michael Kahn, ACE and Sarah Broshar discuss editing Steven Spielberg's "The Fablemans"
Today on Art of the Cut, Steven Spielberg’s long-time collaborators - Oscar-winner, Michael Kahn, ACE, and Sarah Broshar, discuss editing “The Fablemans.” Sarah Broshar was nominated for an ACE Eddie for Spielberg’s “The Post.” Her credits also include “Ready Player One,” Pet Sematary,” and “West Side Story.” One of Michael Kahn’s early jobs as an editor was cutting “Hogan’s Heroes.” Then he went on to cut at least 70 feature films. Some highlights: Close Encounters of the Third Kind for which h
Jan 5, 2023 • 21:18
John Refoua, ACE and Stephen Rivkin, ACE discuss editing "Avatar: The Way of Water."
Today on Art of the Cut we speak with two of the four editors of Avatar: The Way of Water. Joining us on the call are Stephen Rivkin, ACE and John Re-FUE-ah, ACE. Rivkin won an ACE Eddie for Pirates of the Caribbean: The Curse of the Black Pearl. He was also nominated for ACE Eddies for Pirates of the Caribbean: Dead Man's Chest and Pirates of the Caribbean: At World's End. He was nominated for an Oscar, a BAFTA and an ACE Eddie for editing the first Avatar. Rivkin’s other credits include Fantas
Dec 29, 2022 • 52:31
Bob Ducsay, ACE discusses editing Rian Johnson's "Glass Onion: A Knives Out Mystery"
Today on Art of the Cut, Bob Ducsay, ACE discusses his work on Riann Johnson’s “Glass Onion: A Knives Out Mystery.” I’ve spoken to Bob before. His credits are lengthy and include The Mummy, Van Helsing, Jack and the Giant Slayer, and Godzilla. He has worked with Riann Johnson since Looper, which was released in 2012, also on Johnson’s Star Wars: The Last Jedi, and on their previous film, Knives Out. They’ve also worked together on the TV series Poker Face on Peacock TV.
Dec 22, 2022 • 30:55
Oscar-winning editor Tom Cross, ACE on editing Damien Chazelle's "Babylon"
Today on Art of the Cut, Oscar-winning editor Tom Cross, ACE on editing Damien Chazelle’s "Babylon." I’ve been honored to have Tom on Art of the Cut five times before. Previously, we spoke about Joy, Hostiles, La La Land, First Man, and No Time to Die. Tom was nominated for a BAFTA, and ACE Eddie and WON the Oscar for Best Achievement in Film Editing for Whiplash. He was nominated for an ACE Eddie for Joy. He was nominated for a BAFTA and an Oscar and WON an ACE Eddie for La La Land. He was nomi
Dec 16, 2022 • 52:35
Ken Schretzmann, ACE and Holly Klein discuss editing the stop-motion animated "Guillermo del Toro's Pinocchio"
Today on Art of the Cut, we speak with the two editors of Guillermo del Toro’s stop-motion animation version of “Pinocchio” - Holly Klein and Ken Schretzmann, ACE. Holly Klein has been in the animation business since leaving college. She was an animator on Blues Clues and other kids TV shows and transitioned into editorial including work as an assistant editor on Coraline and Paranormal. Ken Schretzmann began his career in live action feature film editorial back in the mid-80s and worked as an a
Dec 8, 2022 • 42:32
Oscar-winning editor Mikkel E.G. Nielsen, ACE discusses editing "The Banshees of Inisherin"
Today, on Art of the Cut we’re talking about the film, The Banshees of Inisherin with Oscar-winning film editor, Mikkel E.G. Nielsen, ACE. Mikkel, who is from Denmark, joined us previously on Art of the Cut for the Sound of Metal, which won him the Oscar, and a BAFTA, and an ACE Eddie nomination. His other films include Beasts of No Nation, A Royal Affair, and The Outsider.
Dec 1, 2022 • 42:19
Writer/Director/Editor of "Moonage Daydream" documentary about David Bowie
Today on Art of the Cut, we speak with writer/director/editor Brett Morgen about his film “Moonage Daydream” about the iconic artist, David Bowie. This is no simple biopic. It’s a rich, philosophical montage connecting Bowie’s life and work with the culture that he is both affected by and speaking into. This interview came from numerous requests from Art of the Cut fans who loved the masterful editing of this film. Brett Morgen is known for directing biographical documentaries like Jane - about
Nov 17, 2022 • 50:10
Writer/director Zach Cregger and editor Joe Murphy discuss the editing of "Barbarian"
Today on Art of the Cut, one of the most talked about films at the moment, the horror film, Barbarian, currently on HBOMax. With us to discuss this film today is Art of the Cut's first-ever guest host: multi-Emmy-winning editor, Stephanie Filo, ACE. Steph has been a guest on the show before and I saw her post several times about this film on Twitter as a self-proclaimed "fan-girl" of the film, so I thought with her knowledge of editing and her love of the film, she'd be the perfect co-host. Also
Nov 10, 2022 • 45:28
Mike Sale, ACE and John Lee discuss the editing of "Black Adam"
Today on Art of the Cut, we talk with the editors of Black Adam: John Lee and Mike Sale, ACE. Michael's credits include Red Notice, Central Intelligence, We're The Millers, The Hangover II, and Bridesmaids (for which he was nominated for an ACE Eddie). John started his career as an assistant on the original Matrix movie. He was an additional editor on Inception and an associate editor on movies like Tenet, X-Men: Dark Phoenix, Dunkirk, Spectre and Interstellar. John was on a previous Art of the
Nov 4, 2022 • 50:09
Sean and Ryan McIlraith discuss editing the digital shorts for Saturday Night Live
Today on Art of the Cut we’re talking with brothers, Sean and Ryan McIlraith. They are editors at Saturday Night Live and have edited many of the digital shorts that have gone viral over the last few years. Sean’s been on the show as an editor since 2013, and has also cut episodes of That's My Time with David Letterman, The Tonight Show Starring Jimmy Fallon, and segments of NBC’s New Years Eve show. He’s currently cutting a feature film with some SNL alums. Ryan’s been at SNL since 2018 and has
Oct 28, 2022 • 50:18
ART OF THE CUT with Oscar nominee Jay Cassidy, ACE on editing David O. Russell's "Amsterdam"
Today on Art of the Cut we are speaking with Oscar-nominated editor Jay Cassidy, ACE, about editing David O. Russell's "Amsterdam." Jay's been on Art of the Cut before for his editing of "A Star is Born" for which he was nominated for an ACE Eddie. His first ACE Eddie win was for "An Inconvenient Truth." He received his first Oscar nomination for "Into the Wild." He was also nominated for an Oscar and an ACE Eddie for "Fury" and received another Oscar nomination, and an ACE Eddie win for "Silver
Oct 20, 2022 • 33:28
Art of the Cut with Vienna-based editor, Monika Willi, on her work on director Todd Field's film "Tár," starring Cate Blanchett.
Today on Art of the Cut, we talk with Monika Willi about her work on director Todd Field's film "Tár," starring Cate Blanchett. Monika is based in Vienna, Austria and has won numerous film editing awards throughout Europe. Her editing work includes the features “The White Ribbon,” “Amour,” “Funny Games and she directed and edited the documentary “Untitled” which won the Austrian film award for Best Documentary. She also edited the TV series "Funeral for a Dog.”
Oct 13, 2022 • 35:18
Affonso Gonçalves, ACE discusses his work on Olivia Wilde's "Don't Worry Darling"
Today on Art of the Cut, we talk with Affonso Gonçalves, ACE about his work on Olivia Wilde’s, Don’t Worry Darling. Affonso has been nominated for an Emmy and won an ACE Eddie for his work on the TV series True Detective. He was nominated for another ACE Eddie for his work on the documentary, The Velvet Underground. His other work includes the films Carol, The Lost Daughter, Beasts of the Southern Wild, and Winter’s Bone.
Oct 6, 2022 • 31:17
ART OF THE CUT with Terilyn Shropshire, ACE on editing "The Woman King"
Today, we’re talking with Terilyn Shropshire, ACE on editing “The Woman King.” The last time I spoke with Terilyn, she had just edited “The Old Guard.” So, two films in a row with powerful female warriors! Terilyn has been nominated for a Primetime Emmy Award and she won an ACE Eddie for “Redemption: The Stan Tookie Williams Story.” Terilyn’s other credits include another action flick with a strong female action lead, Miss Bala and the films Eve’s Bayou and Love and Basketball. She edited the ex
Sep 29, 2022 • 1:07:37
ART OF THE CUT with editor Angela Catanzaro, ACE about her work on the Predator film, "Prey"
Today on Art of the Cut we talk with ACE Eddie-nominated editor, Angela Catanzaro, ACE about editing the latest Predator movie, “Prey.” Angela last spoke with Art of the Cut about her film "The Protege" and before that for "Five Feet Apart." Her other features include "The Foreigner" and TV series including "Man in the High Castle," "Code Black," "Parenthood," "Suits" and "Friday Night Lights" (for which she was nominated for an ACE Eddie.)
Sep 15, 2022 • 46:23
ART OF THE CUT with James Wilcox, ACE on editing "Thirteen Lives"
Today on Art of the Cut we’re talking with ACE Eddie winning editor, James Wilcox, ACE about the Ron Howard film, “Thirteen Lives.” James won his ACE Eddie for the pilot episode of the Genius series “Einstein.” I last spoke with James when he edited “Hillbilly Elegy” which was also for Ron Howard. He also worked on the Aretha Franklin season of Genius as well as TV including Filthy Rich, Hand of God, Roots, Hawaii Five-O, CSI Miami, Reno 911!, Everybody Hates Chris and My Wife and Kids.
Sep 8, 2022 • 47:49
ART OF THE CUT with "The Gray Man" editor, Oscar-nominee, Jeff Groth, ACE
Today on Art of the Cut we’re talking with Jeff Groth, ACE. We’ll be discussing his editing work on The Gray Man, which was released recently on Netflix. Jeff has been on Art of the Cut previously to discuss editing Joker, for which he was nominated for an Oscar, a BAFTA and an ACE Eddie. His other feature credits include Cherry, War Dogs, Project X and Entourage. His TV credits include Entourage - for which he was nominated for an ACE Eddie - Community and the pilot for Ballers. The other edito
Sep 1, 2022 • 43:16
ART OF THE CUT with Elísabet Ronaldsdóttir, ACE, editor of "BULLET TRAIN"
Today we’re speaking with Elisabet Ronnaldsdotir, ACE about editing Bullet Train with her long-time directorial collaborator, David Leitch, who - at one time was Brad Pitt’s stunt double. Elísabet started her editing career in her native Iceland more than 20 years ago. She’s spoken with me on Art of the Cut about Mile 22 and Atomic Blonde and Chang Chi - Legend of the 10 Rings. She also edited The Deep and John Wick, Deadpool 2 and Kate, among others. With credentials like that, it’s so easy to
Aug 25, 2022 • 37:11
ART OF THE CUT with Nicholas Monsour, the editor of "NOPE"
Today on Art of the Cut we discuss Jordan Peele’s genre-busting sci-fi/horror/Western/thriller film, “NOPE” with editor Nicholas Monsour. Nicholas also edited Peele’s previous film, “Us.” Additionally, his work includes, the features “Keanu,” “Action Point,” and “Last Looks.” He’s also edited TV series including “The Twilight Zone,” “Whiskey Cavalier,” “Cobra Kai,” “Brockmire,” and, of course, “Key and Peele.”
Aug 18, 2022 • 54:31
ART OF THE CUT WITH THE EDITORS OF "SEVERANCE" - Geoffrey Richman, ACE and Erica Marker, ACE
Today, on Art of the Cut we’ve got another fan-requested interview! We’re talking to Geoffrey Richman, ACE and Erica Marker, ACE - two of the editors of the AppleTV+ series “Severance.” Geoffrey was nominated this year for two Primetime Emmy’s for editing different episodes of “Severance.” He’s also been nominated for an Emmy for his work on Tiger King. He’s also won three ACE Eddies for - his work on Escape from Dannemora - and two different documentaries: “The Cove” and “Sicko.” He also won th
Aug 11, 2022 • 28:57
ART OF THE CUT with the editors of "Obi Wan Kenobi"
Today on Art of the Cut, we talk to the editors of Disney Plus’s “Obi Wan Kenobi” series. Those editors are (alphabetically): Nicolas de Toth, ACE, Kelley Dixon, ACE, and Josh Earl. Nicolas de Toth has been a previous Art of the Cut guest for his film Gunpowder Milkshake. His other work includes Hitman: Agent 47, Gulliver’s Travels, X-Men Origins: Wolverine, and Live Free or Die Hard among others. He also edited the pilot of the Hawaii-Five-O reboot. Kelley Dixon has also been a guest several ti
Aug 4, 2022 • 44:36
ART OF THE CUT with the editors of HULU's "The Bear"
Today on Art of the Cut, we talk to the editors of HULU’s “The Bear.” It’s got some really innovative editing and when I queried Art of the Cut fans about the shows they wanted to hear more about, “The Bear” was high on the list. The editor of the pilot episode - and half of the others in the series - is Joanna Naugle. In addition to her work on “The Bear,” Joanna has also worked on TV series including Human Resources, Turning the Tables with Robin Roberts, Ramy, and Some Good News. Adam Epstein
Jul 28, 2022 • 53:34
ART OF THE CUT discusses "Where the Crawdads Sing" with editor Alan Edward Bell, ACE
Today, on Art of the Cut, we’re talking with editor Alan Edward Bell, ACE about editing the film “Where the Crawdads Sing,” which was based on the 2018 best-selling novel. Bell has been a guest on Art of the Cut several times for his work on The Hunger Games movies and Red Sparrow. Alan is an ACE Eddie nominee for his work on “(500) Days of Summer.” His other films include “The Amazing Spider-man,” “Water For Elephants.” and “Gulliver’s Travels.
Jul 22, 2022 • 59:51
Art of the Cut with the editors of Baz Luhrmann's "Elvis"
Jonathan Redmond and Matt Villa discuss their editing of the Baz Luhrmann film, "Elvis." Jonathan has edited the film “The Great Gatsby” and the TV series including The Get Down, Wonders of Australia’s National Parks, Romeo & Juliet: A Monkey’s Tale, and Pelicans of the Ghost Lakes. He was also First Assistant Editor on Moulin Rouge. Matt Villa has edited features including The Great Gatsby, Peter Rabbit 2, Winchester, and Predestination. He was also an additional editor on the Lego Batman M
Jul 15, 2022 • 32:24
The editors of "Winning Time"
Art of the Cut host, Steve Hullfish interviews the editors of the HBO TV series, "Winning Time." The series chronicles the building of the LA Lakers Dynasty team, starting with the season Magic Johnson was drafted. The editors for the series are (in alphabetical order) Oscar-nominee Hank Corwin, ACE, Jessica Hernandez, ACE, Max Koepke, Felicia Livingston, and Jeremy Weinstein. Juliana Rodzinski also edited the show, but couldn’t join the call. Hank Corwin, ACE is an Academy Award nominee, ACE Ed
Jul 8, 2022 • 42:52
ART OF THE CUT with Anthony Greenberg, the editor of PIXAR's "Lightyear"
An interview with Anthony Greenberg, the editor of PIXAR's "Lightyear." PIXAR's storytelling abilities are legendary, and in animation the editor is front and center in that process. Animation editing is a very different animal than live-action film editing. Anthony discusses the process of crafting "Lightyear" over a period of four years. He shares his storytelling sensibilities and process and much more in this interview.
Jun 30, 2022 • 50:03
ART OF THE CUT with Geraud Brisson, ACE, the editor of the OSCAR-WINNING BEST PICTURE, "CODA."
Today, on Art of the Cut, we’re speaking with the editor of this year’s Academy-award winner for Best Picture CODA. I think we can all agree that you can’t have a Best Picture winner without also having a beautifully edited film, so I’m excited to share my discussion with its editor, Géraud Brisson, ACE. Géraud was born and raised in France - south of Lyon. He came to the States and graduated USC Film School with an MFA. In addition to CODA, Géraud has edited the feature films Camp X-Ray, and Bi
Jun 23, 2022 • 51:31
ART OF THE CUT - Jurassic World Dominion with Oscar-winner Mark Sanger, ACE
Steve Hullfish interviews Oscar-winning editor, Mark Sanger, ACE about the editing of Jurassic World: Dominion. Mark discusses things like rhythm, pacing, structure and editing a dinosaur movie as if it's a James Bond/Jason Bourne movie. Also, why to immediately watch your films in reels instead of just as scenes - getting a correct sense of the rhythm and pace of the overall movie.
Jun 18, 2022 • 43:57
