Three months into Broadway’s shutdown because of the coronavirus pandemic, Michael Paulson, a theater reporter for The New York Times, got a call from a theater in western Massachusetts — they planned to put on “Godspell,” a well-loved and much-performed musical from 1971, in the summer.Today, we explore how, in the face of huge complications and potentially crushing risks, a regional production attempted to bring theater back to life.Guest: Michael Paulson, a theater reporter for The Times. For more information on today’s episode, visit nytimes.com/thedaily Background reading: Masks, partitions and a contactless crucifixion — the Berkshire Theater Group’s production of Godspell, labeled one of the “huggiest musicals ever created,” is also a kind of public health experiment. Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app.