For episode 78 we headed to South West England - to Bristol precisely and are joined, virtually of course, by Foley Artist, Louise Brown.
To flag, we had a bit of a dodgy Zoom line at times, so there is a little static here and there but nothing too unbearable.
Louise breaks down exactly what it is a foley artist does. From hugging bowls of water for a shark film to walking on the spot for up to 8 hours. Ok, it is a lot more complex than that, but you'll have to listen to the episode to hear it from the metaphorical horse's mouth... or should I say hoof?
With a burning desire to work in the music industry, but with no understanding of how or any industry connections, Louise made the decision to jack in her job at a factory and do a BTEC followed by a degree in Music Technology. Whilst doing a summer job with an unplanned visit Pinewood Studios she discovered foley and this began a long and slow slog to break into the industry - even having to ignore and push on after being directly told by her boss at the time 'women can't do sound' ๐ฑ.
Louise pulls back the curtain and shares some trade 'foley secrets' - who would have thought paper clips attached to leather gloves would double up as claws? She also breaks down the whats and hows when working on a brief for the likes of BBC's Doctor Who or Netflix's Sex Education.
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