writing class radio
andrea askowitz and allison langer
Writing Class Radio is for people who love true, personal stories and want to learn how to write their own stories. There's no better way to understand ourselves and each other than by writing and telling our stories. Everyone has a story. What's yours?
When Anxiety is a Superpower
Today we bring you another story told live on stage at the Flagstaff Festival of Science in September 2024. This story is by Emma Lathrop and is about her anxiety. This quality she thought was hindering her turned out to be something she now values. Two years ago, we were hired by Dr. Jane Marks and Dr. Bruce Hungate, two famous ecologists from ECOSS at Northern Arizona University. They heard our podcast and then started taking our classes which led to the idea that their students would benefit
What Can You Learn by Watching How Trees Recover from Fire?
Today we bring you a story told live at the Flagstaff Festival of Science in September 2024. We’re talking about making a connection from your personal life to what we study. We’re also talking about being vulnerable. Because everyone will love you more. We promise. This is our second year collaborating with the Center for Ecosystem Science and Society (ECOSS) at Northern Arizona University. Two years ago, we were hired by Dr. Jane Marks and Dr. Bruce Hungate, two famous ecologists from ECOSS at
When is a Gift More than a Gift?
Today on our show, we are re-running a story by Emily Henderson titled After Our Son Died, My Husband Gave Me The Most Meaningful Christmas Gift Of My Life. Emily workshopped this essay in our Final Draft class and then the Huffington Post published it on December 25, 2021. This story is an excellent example of using an object to convey emotion, details, and telling in addition to showing. Emily tells us how she’s feeling the entire story which intensifies vulnerability. To hear another of Emily
The Passing of Sorrow
Today on our show, we bring you a story by Dana Shavin, who submitted her essay to the podcast. When it came in, we were blown away. The writing is so smart and well-crafted. In this episode, we talk about the difference between situation and story and we also discuss why callbacks are effective.Dana Shavin is an award-winning humor columnist for the Chattanooga Times Free Press, and the author of a memoir, The Body Tourist and the collection of essays, Finding the World: Thoughts on Life, Love,
Why Do We Love Stories That Remind Us of Ourselves?
Today on our show, we bring you a story by Rachel Kramer Bussel. Her story was so relatable, that we realized sometimes we choose stories so we can just talk about ourselves. And that’s just what we do in this episode. We also talk about the narrator’s brilliance in drawing us in with just the right details. Rachel’s story is titled, The Craving That Killed My VeganismRachel Kramer Bussel (rachelkramerbussel.com) is an essayist and freelance writer specializing in books, culture, relationships,
Shut the F*ck up, Please
Today on our show, we bring you a story by Sarena Neyman. Sarena is in Allison’s 2nd Draft class, which contains writers who come together to share a draft of their essay and receive feedback from the group. Sarena was previously published on Writing Class Radio. Episode 187: The Bigger Table: How I Lost My Husband But Gained a Bigger Family. In that episode, we discussed Sarena’s brilliant landings. In this episode we will discuss landings again, because like last time, they are perfect. We wil
My Abortion at 11 Wasn’t a Choice. It Was My Life
This is the final story in a 7-part series in support of reproductive rights. On election day, Floridians will have the opportunity to vote Yes on 4 to get rid of a near-total abortion ban and reinstate the liberties under Roe v. Wade. The stories in the series were told live on stage in front of 400 people at Temple Beth Am in Miami, Florida on September 5th 2024. As the country gears up for the election on November 5, 2024, we will be sharing all seven stories one week at a time. These stori
Florida’s Abortion Law Almost Killed My Wife
This is the sixth story in a 7-part series in support of reproductive rights. On election day, Floridians will have the opportunity to vote Yes on 4 to get rid of a near-total abortion ban and reinstate the liberties under Roe v. Wade. The stories in the series were told live on stage in front of 400 people at Temple Beth Am in Miami, Florida on September 5th 2024. As the country gears up for the election on November 5, 2024, we will be sharing all seven stories one week at a time. These stori
A Physician's Duty
This is the fifth story in a 7-part series in support of reproductive rights. On election day, Floridians will have the opportunity to vote Yes on 4 to get rid of a near-total abortion ban and reinstate the liberties under Roe v. Wade. The stories in the series were told live on stage in front of 400 people at Temple Beth Am in Miami, Florida on September 5th 2024. As the country gears up for the election on November 5, 2024, we will be sharing all seven stories one week at a time. These stori
Another Try at a Better Life
This is the fourth story in a 7-part series in support of reproductive rights. On election day, Floridians will have the opportunity to vote Yes on 4 to get rid of a near-total abortion ban and reinstate the liberties under Roe v. Wade. The stories in the series were told live on stage in front of 400 people at Temple Beth Am in Miami, Florida on September 5th 2024. As the country gears up for the election on November 5, 2024, we will be sharing all seven stories one week at a time. These stor
A Letter to My Son About His Abortion
This is the third story in a 7-part series in support of reproductive rights. On election day, Floridians will have the opportunity to vote Yes on 4 to get rid of a near-total abortion ban and reinstate the liberties under Roe v. Wade. The stories in the series were told live on stage in front of 400 people at Temple Beth Am in Miami, Florida on September 5th 2024. As the country gears up for the election on November 5, 2024, we will be sharing all seven stories one week at a time. These stori
191: The Shade of Our Grandmothers’ Trees.
This is the second story in a 7-part series in support of reproductive rights. On election day, Floridians will have the opportunity to vote Yes on 4 to get rid of a near-total abortion ban and reinstate the liberties under Roe v. Wade. The stories in the series were told live on stage in front of 400 people at Temple Beth Am in Miami, Florida on September 5th 2024. As the country gears up for the election on November 5, 2024, we will be sharing all seven stories o
Then and Now and Back to Then
Today, we are starting a new series in support of reproductive rights–specifically Yes on 4 here in Florida to get rid of a near-total abortion ban and reinstate the liberties under Roe v. Wade. The stories in the series were told live on stage in front of 400 people at Temple Beth Am in Miami, Florida on September 5th 2024. As the country gears up for the election on November 5, 2024, we will be sharing all seven stories one week at a time. These stories highlight what the current ban limits a
Our Abortion Stories: Seven Storytellers on Heartbreak, Health, and Hope
On September 18, 2024, we are launching a new series in support of a family’s reproductive rights--specifically the Yes on 4 campaign here in Florida to get rid of a near abortion ban and reinstate the liberties under Roe v Wade. The stories in the series were told live on stage at Temple Beth Am in Miami, Florida on September 5th 2024. Each storyteller stood in front of an audience of 400 people and read their story.As the country gears up for the election on November 5th 2024, we will be shar
189: I Found Connection Through a Tattoo of a Bee
Today on our show, we bring you a story by Jennifer Sizeland, who lives in Manchester, England. Her story, I found connection through a tattoo of a bee is a great example of situation and story. It’s important to know the difference and we will discuss why.Jennifer Sizeland is a freelance writer and assistant producer with 14 years of experience in the media industry. She has written for many publications including the BBC, the Independent, Metro, Manchester Mill, Fodor’s Travel,
188: Making Room for Hope after My Daughter Died
Today on our show, we bring you a story by Farida Taha. Farida writes about losing her daughter to cancer and how she’s moving forward. We talk a lot about loss on our podcast, because writing is how so many people process grief. We believe writing opens the heart, clears the mind, and helps us understand and process. In this essay, Farida throws out some incredibly poignant lines that reveal intense pain and so much hope for the future.Farida Taha is a writer and mother of three. She i
187: How I Lost My Husband But Gained a Bigger Family
Today on our show, we bring you a story by Sarena Neyman. Sarena is in Allison’s 2nd Draft class, which is made up of writers who come together to share a draft of their essay and receive feedback from the group. Sarena’s stories are funny and brimming with voice and perfect landings.Sarena Neyman has been writing for numerous human rights groups for more than 20 years, working on causes from digital privacy to affordable housing to marriage equality. She writes for cabinlife.com and Pe
Something Beautiful Happened When I Shared My Writing with My Family
Today on our show, we bring you a story by Janet Funk. Janet writes about her experience sharing an essay she wrote with her family prior to submitting for publication to. The essay was about the horrible fourth of July when her brother Robbie drowned and was published in Business Insider on July 3, 2024.We’ll discuss the age-old-memoir questions: How do we write about and publish stories about the people in our lives? Janet’s essay was written from a prompt given in First Draft. The prompt was
185: Am I Turning into My Mother
Today on our show, we bring you a story by Bonnie Shor, who we call Blee. Blee has been a student of Writing Class Radio for two years. We love the shit out of her. Listen to what she told us: I took up knitting, Zumba and writing when I turned 60. Eight years later, there's a ball of yarn in my closet, and four unused Zumba classes on my lost dance card. My writing, though, can be found in several anthologies, most recently, Hellokoo Volume 1 Letter A, Loud Coffee Press Magazine, and n
184: Just Tell Us How it Went Down
Today on our show, we bring you a story by Alison Colwell. At age 8, Alison was responsible for making sure her mother’s epileptic seizure didn’t kill her. In this essay, Alison takes us to a moment in the hospital where if she’d looked away, her mom might have died. Alison’s essay is an excellent example of hot topic cold prose and is contained in a very short moment. We will go into detail about what we mean by hot topic cold prose and why the tool is so effective. Alison’s essay is c
If You Don’t Want to Know, Don’t Snoop on Your Daughter’s Instagram Account
This episode focuses on how to tell a story out loud. In May 2024, our own Andrea Askowitz made her way to a Moth storytelling competition and for the 15th time (over nine years), dropped her name in the bag. The prompt was snooping. Before she left home, her wife told her to look at this evening, if chosen, as practice instead of assuming this would be her Moth. So, when her name was chosen, Andrea had not memorized a story but instead decided to have fun telling the audience about the time she
182: A Story is Like a Thesis. You Gotta Make Your Point.
Today on our show, we bring you a story by Emma Lathrop, a PhD student at The Center for Ecosystem Science and Society (ECOSS) at Northern Arizona University (NAU). Emma’s story is about proving your value and fighting for your position as a woman in STEM. The best part is when we get a glimpse into how the field would look if Emma were the boss.This story was originally performed on stage at the Flagstaff Festival of Science in October 2023. Like episode 174, 175, 177, 179, and 180 thi
181: What Do I Do if I Have Nothing Left to Write About?
Today on our show, we bring you a story by our own Allison Langer. Her essay is called My Mom And I Fought For 55 Years. Now Battling My Son Is Making Me Rethink Everything, which was originally published in Huffington Post, May 16, 2023.In this episode, Allison shows us that you can write about the same thing over and over and you should. It’s the only way to really work out your shit. Listen to the hosts discuss why writing and rewriting is important for your heart and your story.A Tr
180: The Forest Raised Me Better than My Father
Today on our show, we bring you a story by Darby Bergl, a PhD student at The Center for Ecosystem Science and Society (ECOSS) at Northern Arizona University (NAU). Her story is about resilience and survival in the face of a volatile father. Darby has a passion for ecology and the study of carbon dynamics in temperate forests, which she interjects into her story.Darby’s story was originally performed on stage at the Flagstaff Festival of Science in October 2023. This was a Collaboration
How to Use Science to Create an Emotional Connection to Place.
Today on our show, we bring you a story by Keven Griffen, a PhD student at The Center for Ecosystem Science and Society (ECOSS) at Northern Arizona University (NAU). Her story uses science to understand an emotional connection to place. She did it by having us fall in love with the place. She set the scene and raised the stakes. Keven’s story was originally performed on stage at the Flagstaff Festival of Science in October 2023. This was a Collaboration with ECOSS, Northern Arizona University, a
178: Is it Rape if You Were Blackout Drunk?
Today on our show we bring you a story by Morgan Sutton that embodies everything a story should embody. The story uses no extra words; the narrator looks inside herself; and the story matters to the broader world.The story is so important because it explains a very dangerous and ugly assumption that is often made about women who’ve been raped. Morgan does it by examining her own situation and her own assumptions. There’s no preaching. And there’s nothing dogmatic. This is what writing a
177: How to See Beauty in Small Things
Today on our show, we bring you a story by Jasmine Anenberg, a PhD student at The Center for Ecosystem Science and Society (ECOSS) at Northern Arizona University (NAU). Her story is about losing a friend but gaining something he taught her, which is seeing the beauty in small things. She takes this lesson into her fieldwork as she studies mosses in dirt.Her story was originally performed on stage at the Flagstaff Festival of Science in October 2023. This was a Collaboration with ECOSS,
Flying Home or Someplace Better
Today on our show, we bring you a story by Jennifer Byrne, who conjures the courage to leave her husband after she's faced with removing a bird that flew into her house. Her story is an excellent example of using a book-end structure. Jennifer has been published in the New York Times (Tiny Love Stories), The Cut, Psychology Today, Good Housekeeping, Atlas Obscura, McSweeney's Internet Tendency, The New Yorker Daily Shouts and The Guardian. She lives in New Jersey. Writing Class Radio is hosted
Fighting Fire with Aspen and Birch
Today on our show, we bring you a story by Nick Link, a PhD student in the Mack Lab and part of the Center for Ecosystem Science and Society (ECOSS) at Northern Arizona University. His story was originally performed on stage at the Flagstaff Festival of Science in October 2023. This was a Collaboration with ECOSS, Northern Arizona University, and Story Collider, a podcast that airs true science stories.We worked with Dr. Bruce Hungate and Dr. Jane Marks, ecologists and professors at NAU. They ha
174: For the Love of Science
Happy Valentine’s Day. Today on our show, we bring you a story that was originally performed on stage at the Flagstaff Festival of Science in October 2023. This was a Collaboration with The Center for Ecosystem Science and Society (ECOSS) at Northern Arizona University (NAU) and Story Collider, a podcast that airs true science stories.We worked with our narrator of today’s story Dr. Bruce Hungate and Dr. Jane Marks, a conservation ecologist and professor at NAU, who happens to be marrie
173: Birds Will Be Birds
Today on our show, we bring you a story by Christopher Blackwell. Chris is 42 and serving a 45-year prison sentence in Washington. Chris’s story came to us through writer and Chris’s mentor, Jamie Beth Cohen.This episode is about taking a small moment and bringing big meaning. Through details and emotion, Chris tells us so much about himself and his surroundings. When birds nest on the windowsill of the prison, all the men gather round. Their usual differences melt away. When the birds
172: How to Start a New Job
Today on our show, we bring you a story by Sumitra Mattai. Sumitra is a writer and textile designer based in New York City. She holds a BFA in Textile Design from the Rhode Island School of Design and an MFA in Creative Writing from The New School. Her essays on family, food and culture have been published widely. For more information, www.sumitramattai.com, Instagram @sumitramattai, or subscribe to her newsletter, "Clothbound," highlighting textiles in art, design and everyday life.Her
Can You Find Humor in Addiction?
Today on our show, we bring you a story by Maxine Poupko, a semi-retired nurse, long-time student of Writing Class Radio, and hilarious person. Maxine is a master at writing humor and writing the truth. Of course someone can learn the craft of writing, but there might be some debate about whether you can learn to write the truth. Maxine shows us it's possible. She's been writing with Writing Class Radio for the last five years and we have seen her writing transform. At first her writing stayed o
170: Here's Why I Resolve to Fail More
Today on our show we’re talking about the writing process and how getting rejected is just part of the fun. After our own Andrea Askowitz takes a class on rejection taught by Elissa Bassist, she develops a new way of thinking about failure. If you are not getting rejected, you’re not in the game. You will hear the story Andrea wrote after her 643rd rejection. Andrea’s story is called, “I’ve Been Rejected 643 Times. Here’s Why I Resolve to Fail More."Writing Class Radio is hosted by Alli
169: My Brother's in Prison. Could I Have Done More?
Today on our show, we’re talking about structure and planting seeds. You’ll hear a story by Claire Tak called The Unopened Letter. Claire is a freelance writer and editor living in Denver. She has a column in PrisonJournalismProject.org called Outside/In, where she writes about her brother’s incarceration. Claire is currently writing a memoir. As a child of Korean-American parents, her book deals with the “immigrant guilt” she faced growing up. For more Claire, subscribe to her Sub
168: How to Write about Life When Everyday Is a Reminder of Death?
Today on our show, we are talking about hot topic/cold prose and when and why to write in the present tense vs. past. The story we share is written in the present tense, which gives readers the feeling that they're going through the situation with the narrator, in real time. Today’s essay is by Dr. Colleen Arnold who is a physician and freelance writer in Lexington, Virginia. Dr. Arnold has written for Insider, Wall Street Journal, Chicken Soup for the Soul among others. She is a m
Even Though I'm Judging You, Don't Judge Me for Being a Chopper Mom
Today on our show, we’re talking about writing with personality and being vulnerable. And when we say vulnerable, we mean including the hard things, good and bad, about ourselves. You’ll hear a story by Dr. Jane Marks, who is a conservation ecologist and professor of Aquatic Ecology at Northern Arizona University (NAU). Jane has been taking classes with Writing Class Radio (WCR) for three years including hiring team WCR to help craft and produce a night of live storytelling at NAU. The show was
166: The Most Unique Essay We've Ever Aired
Today on our show, we bring you a story by Kimberly Elkins. Kimberly is the author of the novel, WHAT IS VISIBLE, which was a New York Times Book Review Editors' Choice and named to several Best of 2014 lists. She’s written for The Atlantic, The New York Times, The Iowa Review, The Chicago Tribune, The Los Angeles Review of Books, Glamour, Slice, The Cincinnati Review, and Best New American Voices. She was a Finalist for the National Magazine Award, and has also won a New York Moth Stor
165: A Psychiatric Hospital Nearly Ruined My Life
This episode is about how to write a near perfect essay. The story was written by Banning Lyon who writes about a harrowing childhood experience in a psychiatric ward. His essay was previously published in The Washington Post. After we discuss Banning’s story, you’ll hear an interview with the author on what his process was like, the difficult emotions writing the memoir brought up, and the cold call he made to find his agent.Banning Lyon is the author of The Chair and The Valley, which
164: Can We Live on Through Our Writing?
Today on our show, we bring you a story by Amy Paturel, which is a great example of how to write about someone else while still including the narrator in a big way. Paturel incorporates her husband’s late wife’s writing into a story that is both emotional, tender, and beautifully composed. She answers the question: Can we live on through writing? She shows us that we can live on through the notes in the margins even if those notes are never published. This story was originally published
Letters to My Son in Prison–Why Writing Matters.
On this episode, we bring you a story by Ken Guidroz. Ken’s story shows us the importance of writing and sharing stories, especially with people we either don’t understand or who don’t understand us. Ken says writing to his son in prison ignited an honest exchange he never would have had without writing. This exchange changed their relationship forever.Ken Guidroz served in the ministry, leading the Santa Clarita Church of Christ and designs specialty retirement plans for companies. He is the au
162: Do As I Say Not As I Do
On this episode, you’ll hear a story by our own Allison Langer. You may have read her story in HuffPost, where she was published on Jan 16, 2023. The story ran with this title: People Say I'm A Grief Expert, But When My Friend's Husband Died, I Did Something I Deeply Regret.If you are wondering how to help a friend who is grieving or have ever felt like you don't know what to say or do when someone dies, this episode will help.After you hear the story, we’ll discuss one of our biggest w
161: You Look Great BECAUSE You’ve Aged
On this episode, we bring you a story by our own Andrea Askowitz. A version of this essay was published April 2023 on CNN and titled What Justine Bateman Gets Exactly Right About Beauty. You’ll hear tips on how to bring in outside evidence for a more effective opinion piece and how to use the news stories, popular in the media, to create a personal essay.Andrea Askowitz has been published in The New York Times, Salon, The Rumpus, Huffington Post, Glamour, AEON, The Writer, Manifest-Stat
160: Cliches Saved My Life
Today on our show, we bring you a story by student Emily Henderson. The story is called Cliches Saved My Life. The whole story is 354 words. It’s a lesson in going huge by going small. It’s also inspires a discussion about when and when not to use cliches in your writing.Emily Henderson has been featured before on Writing Class Radio: Ep 144: When Is a Gift More than a Gift? That story is about living through Xmas after the death of a child. It’s a beautiful and sad story and one o
Rash Decisions
Today on our show, we bring you a story by student Kim Costigan. Kim wrote this story while on our December 2022 writing retreat in Key Largo. This story crushed us and made us love Kim even more. What I want you to listen for is the anecdote at the end. This is one of our favorite ways to end a story. It shows how the narrator has been impacted by the situation in real time. Kim has been writing with us for a few years now, and Kim is the perfect example of someone who started green and practic
158: My Dead Mother Brings My Sister and Me Together Once a Year
Today on our show, we bring you a story by Maxine Poupko. Maxine’s story is a great example of character development, showing the tiny details in a complex relationship, and bringing the reader into a different world. Maxine wrote this story for the Writing Class Radio retreat in February 2023. The story was workshopped and refined with feedback and encouragement from the group. If you have a strained relationship with a member of your family, this episode is for you!Maxine Poupko
I’m the Black Crayon Nobody Wants
Today on our show, we bring you a story by Corey Devon Arthur. Corey has served 25 years on a life sentence for robbery and murder and is currently housed at Otisville Correctional Institution in New York. Corey is an artist and writer who has been published on Writing Class Radio and The Marshall Project, among others. Corey’s stories have aired on Episode 120: My Pen Uncovers the Real Me, Episode 128: My New Manifesto, and Episode 143: Cutting Needless Words. This story is a great example of m
156: Outsourcing My Orgasm
Today on our show, we bring you a story by Jenny Powers. Jenny is a New York-based freelance reporter. She writes for HuffPost, The Cut, Business Insider, Fortune, and more. She is working on a memoir called, "Smooth Operator: Confessions of an Accidental Phone Sex Vixen." You can see more of her work at https://www.clippings.me/jpowers.Jenny’s essay originally appeared in The Cut and is titled “Outsourcing My Orgasm.” We trimmed just slightly for the podcast. We love so many things abo
155: Every Word Matters
Today on our show, we bring you a story by Laurie Eynon. This story is a behind-the-scenes Jeopardy! audition revealed and a good lesson in how every word matters. And the voice of the narrator is amazing. So good!!! Laurie takes us through her one chance at becoming a Jeopardy! champion and what happened.Laurie Eynon is a hospital and hospice chaplain in Indianapolis, Indiana. She was a regular contributor to the Atlanta Journal Constitution's Sunday section, wrote a play that was prod
154: Are Thin People Allowed To Write About Weight?
Today on our show, we bring you a story by Sari Botton. Sari’s story is a great example of how to tell a story that encompasses your whole life. It is also a great example of how to end a story while you are still living with a situation.Sari has been featured before on WCR. Check out Episode 80: You Have Permission to Write or Not Write. Sari Botton (sounds like Larry Cotton) is the author of the memoir in essays, And You May Find Yourself…Confessions of a Late-Blooming Gen-X Weirdo. A
153: Want To Get Published in HuffPost? Editor Noah Michelson Tells You How
Today’s episode features a story by one of our favorite students, Margery Berger. She has been taking classes with us since way before the pandemic. Margery has told stories on our podcast twice before. Episode 46: An Object Is not Just an Object aired in 2018 features a really compelling story about Margery’s obsession with her scale. On Episode 95: What Did It Take to Finally Get Published? Margery told a story about the time her boyfriend said she has ugly hands. That episode is grea
Trichotillomania Became My Constant Companion
This is the first essay in our college essay series. Last August 2022, Andrea and Allison hosted a teen writing and service retreat in Guatemala. We took eight rising seniors and two rising juniors a gazillion miles away from their homes and busted their hearts wide open. Each student left the United States with ZERO words and returned with a perfect 650-word common app essay. Before we left, each student recorded their final draft. On this episode, Emily Olster shares her college essay called L
152: How Music Inspires Storytelling
Today on our show, we bring you a story by Danielle Huggins. Danielle has been featured twice before on WCR. In Episode 105: Teach Us Something We Don’t Know where she shared her experience with electroconvulsive therapy (ECT). Danielle was also featured in Episode 139: This Is What Mania Looks Like where she takes us through a manic episode. If you haven’t listened to those episodes, definitely check them out.Today’s story was written for our December 2022 writing retreat in Key Largo,
Follow the Story Spine to Get Published
This episode showcases the effectiveness of using the story spine structure. The story spine is a story structure as old as time. It’s the model every fairytale follows. It works really well for all stories because it’s intuitive. It’s in our collective unconscious. You will hear three prompt responses from Writing Class Radio’s First Annual Key Largo Writing Retreat. We told our students to think about a time everything changed and then we walked them through the story spine. Kim Costigan, Pame
In Transition: How to Write a Story About an Ongoing Situation
Today on our show, we’re talking about how to write about a situation that is ongoing. Typically, at the end of an essay, the narrator writes about what they learned or how they changed. But what if transition IS the change? What happens if there is no happy (or sad) ending…yet?On this episode, Ariane Malfait writes about her transition–-one that is still in progress and may always be. Ariane tells the story of shedding the masculine body she felt never fit. At 19, after bottom surgery, she expe
149: How to Make Your Writing More Personal (in any Field)
On this episode, we bring you a story written by Dr. Jane Marks, a conservation ecologist and professor of Aquatic Ecology at Northern Arizona University (NAU). Jane came to Writing Class Radio with the goal of making her academic writing more personal. What she didn’t realize is that writing class, specifically writing personal essays, forces the narrator to go deep and ask the question WHY? Why am I writing this? Why does anyone care? Why is this important to me? Why do I care so
How to Plan a Threesome
Today on our show, we bring you a story by Pamela Druckerman that has voice, laugh out loud humor, and self knowing, which makes for a reliable narrator. The best part is the narrator doesn’t wait until the end to give a status report. We feel like we are on the adventure with her.There are so many things the narrator does well in this essay including normalizing a threesome. She does this by using language and humor to bring the listener into her adventure with her husband. You do not want to m
147: How to Write a Story about Abuse Without Using the Word
Today on our show, we bring you a story by Sally Quon called Finding Home.Sally’s story is an exercise in restraint. Andrea tried a little experiment with Sally’s submission in order to make the story more powerful. She asked Sally to cut all seven mentions of the word, abuse. Andrea learned of this technique while taking a course with Dan Wakefield who assigned the book Name All the Animals by Alison Smith. The book is about grief and yet, the word grief is mentioned only once. Listen
146: How to Write a Winning Pitch
Today, we bring you a story by Terry Barr with a secret he’s kept most of his life. This story highlights the importance of telling the truth and letting go of shame, in this case, about sexual assault. You’ll also hear Terry’s pitch when he submitted his essay to the podcast. AND, we discuss structure. Terry’s structure is exactly what Allison loves. If you want to hear your own stories on Writing Class Radio, this is a great episode to hear. This episode will help you understand what
145: A New Year's Nightmare
On today’s episode, we’re bringing you an old episode that’s still relevant and awesome, in case you missed it back in season one.You’ll meet a bunch of students from season 1: Frenchie, Tobi Ash, Cynthia Castillo, Bo, and Nicki Post. You’ll also hear a brief interview with each and the epic talent of Patricia Carlin, aka Frenchie, singing, playing piano, and whistling the tune of Auld Lang Syne. For the in-class prompt, Andrea played Auld Lang Syne. Listen to this episode to see w
144: When Is a Gift More than a Gift?
Today on our show, we bring you a story by Emily Henderson titled After Our Son Died, My Husband Gave Me The Most Meaningful Christmas Gift Of My Life. Emily workshopped this essay in our Final Draft class and then the Huffington Post published it on December 25, 2021. This story is an excellent example of using an object to convey emotion, details, and telling in addition to showing. Emily tells us how she’s feeling the entire story which intensifies her vulnerability. To hear another
143: Cutting Needless Words
Today on our show, we’re sharing another story by Corey Devon Arthur. Corey’s stories have been aired on Episode 120: My Pen Uncovers the Real Me and Episode 128: My New Manifesto.Corey Devon Arthur has served 25 years on a life sentence for robbery and murder and is currently housed at Otisville Correctional Institution in New York. Corey is an artist and writer who has been published on Writing Class Radio and The Marshall Project. The story Corey wrote for this episode was in re
Beginnings and Endings
Today on our show, we’re talking about beginnings and endings. What is an effective way to begin a story and a satisfying way to end? The story we bring you on this episode is an amazing example of how to start with appropriate grounding and how to land/end the essay like a gymnast. The narrator isn’t just a beginning and ending genius, she also uses lingo associated with her theme. This style is effective, because the reader feels more drawn in. Another example of that same type of inclusive li
141: Where Does Your Mind Go When You're Given a Writing Prompt?
Today on our show, we bring you a story by one of Allison’s 7th grade students. She spent two months teaching English to 7th and 8th graders at a private school in Miami, and because she’s her, she assigned personal essay after personal essay. She learned about their parents, what they eat for dinner, their nannies, grandparents, and favorite sport. They resisted getting personal, the same way Allison did when she started writing.Most people seem to struggle with writing about themselve
140: One Man's Abortion Story
Today on our show, we bring you the story we’ve been searching for since June 24, 2022 when the Supreme Court overturned Roe v Wade. We put a call out for men’s abortion stories and waited months. In Episode 138: There’s Always More to the Story, we talked about why only three men submitted stories, none of which fit our guidelines. We called men cowards. Matt Cundill, our audio producer, was in the greenroom listening. If you missed Episode 138, check it out. You can hear the lashing w
139: This Is What Mania Looks Like
Today’s episode showcases a story by student Danielle Huggins. Danielle’s story shows what happened when she got off her medication for bipolar disorder. This story is the best example of show and tell EVER! We ask you, why do you read and listen to stories: to be taken into another world or to find yourself in the story?Danielle told a story on Episode 105: Teach Us Something We Don’t Know. That episode was about her experience with electroconvulsive therapy (ECT). If you haven’t liste
138: There Is Always More to the Story
Today’s episode revisits the subject of abortion but is about much more. We put a call-out for men’s abortion stories and received several abortion stories by women and very few (only three) by men. We are grateful to the men who submitted, but none was quite right for Writing Class Radio. We will continue to bring you abortion stories as they come in. So men, please weigh in. We want to hear from you. Submission guidelines are on our website.We selected this essay by past student Melan
137: How to Fight with Your Co-Host and Win a Writing Contest
Today on our show we share a story by our own Allison Langer. Her essay is called Writing Class Helped Me Break Down My Facade. You will hear about the fight hosts Allison and Andrea had that prompted this episode. We’ll talk about trying to make money as a writer, revisiting the same theme, and how to win a writing contest. If you think you are the only one writing about the same thing over and over, this episode is for you. See how themes can change over time and how you can win
136: What Makes You Weird in the World?
Today on our show, author and overall cool woman, Allison Landa reads an excerpt from her new memoir coming out October 4, 2022 called Bearded Lady (Woodhall Press). Pre-order today from our favorite Indie, Books & Books, or wherever you get books. Andrea read an advance copy and this story–this book–is one of Andrea’s all time favorites.This essay, the whole memoir, is a lesson in guts out vulnerability. Andrea believes Allison Landa is the next Joan Didion.The part we bring you is
135: In Praise of Complaining
Today on our show we share a story by Cheryl E. Klein, author of the soon to be released memoir Crybaby. Cheryl takes an unusual subject, complaining, and makes a case for it. She even goes so far as to say complaining is noble. Her wit and humor make this episode another must listen!!We discuss her voice and commitment to what some people, most people, probably think is an obnoxious quality. Cheryl also uses dialogue really well.You can find Cheryl on Twitter @CherylEKleinLA and I
134: #MedicalGaslighting: Writing as a Service
Today on our show we share a story by Pamela McBride, a student in our First Draft and Second Draft writing group about her near fatal experience being dismissed by her doctor. This story is far too common for Black women and Pamela wants to re-write that story. She is tired of worrying about being the “angry Black woman” and gives women a prescription for how to take care of themselves.We talk about writing as activism and writing as service. This story does both. Pamela McBride i
133: Nobody Dreams of Getting Divorced
Today on our show we share a story by Sally Schwartz called Divorce Shiva. Sally’s story reveals the importance of ritual in helping us go through love and loss. On the day of her divorce, instead of crying at home alone, her friends gathered around and built a giant bonfire. Sally was reluctant to “celebrate” at first, but as she threw her monogrammed stationery into the flames, she realized she needed the ritual.This story is a perfect example of equal parts heart and art. Sally tells
132: Here’s My Abortion Story. Men, Tell Us Yours.
On June 24, the Supreme Court overturned Roe v. Wade. Today we bring you a personal essay that includes an abortion story, in hopes that it will prompt men to tell their abortion stories. The story was co-written by Andrea Askowitz and Ida Dupont. Ida and Andrea have been in the abortion fight for thirty years. They realize reproductive justice advocates (them included) made a mistake in couching abortion as solely a women’s issue. Men benefit from abortions just as much as women.
131: How to Write About Something You Can’t Remember
Today on our show we share a story by Andrea Askowitz. Andrea’s story was written as speculative memoir during our writing retreat in Guatemala. And if you are like most people, you have never heard of speculative memoir. After you hear this episode, you will be dying to give it a try. But why did she use speculative memoir?According to author Laraine Herring, who wrote in the Rumpus, speculative memoir explores the truth through the figurative over the literal. She questions why we say
130: I’m Not Scared of Death, But I Can’t Stop Asking This One Question
Today on our show we share a story by Kelly Eden who lives in New Zealand. Kelly brought this essay to 2nd Draft, a class we offer on Zoom. (To sign up click here.) Kelly took the feedback she received from the class then posted on Medium and got lots of traction. Her story shows her struggle with Crohn’s disease while asking herself a question very familiar to our hosts, “Am I doing enough?”Kelly's essays and short fiction have won several awards. She has been writing for magazines and
129: Maybe We’re All Just Homing Pigeons. Are You Home Yet?
Today on our show we share a story by Heidi Walker called Coming Home. The essay is under 800 words and finely detailed to emphasize only what the narrator would like us to focus on. We love this essay not only for its sentiment but also because the tightness of the essay proves that keeping it simple can often make the story stronger.We wanted this story on our show for the heart it expresses. The essay is also artfully crafted. But, the heart hit us hard. The story is about coming hom
My New Manifesto: A Man Serving a Life Sentence for Murder Changes His Ways.
Today on our show we bring you another story by Corey Devon Arthur, an inmate at Otisville Correctional Facility in New York. This story is about the demon he battles in his head, which is literally a voice that tries to talk him into continuing the violence he learned on the street, and his attempt to become a better man.We also have a special guest host. Sarah Holtz is a reporter and audio producer based in Oakland. Her work has aired on Houston Public Media, New Orleans Public Radio, and Nort
127: Parenting Alone: How Will My Autistic Son Manage Without Me?
This episode is about landing an ending. It’s also about raising the bar on what we write about. In this case, storyteller Jennifer Landau writes something new and important about being a mom. She is afraid for what will happen to her son after she dies. This is especially important because like Allison and Andrea, Jennifer chose to have children on her own using anonymous sperm donation. So, Jennifer does not have a co-parent. The story is beautiful and so honest. This essay was p
Will We Ever Understand Each Other if We Don’t Speak the Same Language?
Today on our show we’re talking about language. Listener Jamshid Samareh came to the United States from Tehran in 1978. He shares his story, which is about how learning the English language has helped him connect with Americans. Jamshid quotes Nelson Mandela who said, "If you talk to a man in a language he understands, that goes to his head. If you talk to him in his language, that goes to his heart."Jamshid lives in Norfolk, VA holds a PhD in Mechanical Engineering and Mechanics and is a senior
Tossing the Shells but Not the Memories.
Welcome to Season 13. On today’s episode, you’ll hear a story which is less than 600 words and perfectly told. So much so, that we have chosen to use this story to show how to structure an essay. We’ll go over the 5Cs of a well-structured essay and why details are important.Anthony Askowitz is not a writer. He is a realtor, and he is also Andrea’s older brother. Anthony read this essay during a family dinner after his daughters left for college. Do not miss the bloopers at the end, where Andrea
124: The Hate Hate Creates
This is the final episode in a 10-part series inspired by the men Allison Langer taught memoir writing, in a men’s prison. This series shared stories written by Allison’s former memoir students as well as formerly incarcerated and currently incarcerated people from around the United States. Their experiences and voices, like those of many incarcerated people, are often marginalized and unheard.On today’s episode, you will hear a story by Richardson Francois aka Swa, who Allison confesse
The Words He Left Behind
This is the ninth episode in a 10-part series inspired by the people Allison Langer taught memoir writing, in a men’s prison. You will hear new stories her former students wrote after taking her class and stories from other incarcerated or formerly incarcerated people around the world.On today’s episode, you will hear a story by someone who is still incarcerated. For security reasons, he calls himself NameLess. You will understand why he has chosen to remain NameLess once you hear his story call
What Does 44 Years in Prison Look Like?
This is the eighth episode in a 10-part series inspired by the people Allison Langer taught memoir writing, in a men’s prison. You will hear new stories her former students wrote after taking her class and stories from other incarcerated or formerly incarcerated people around the world.In this episode, you will hear a story written by Robert Fell, who was sentenced to life in prison for the murder of his wife. Robert has been in prison for 44 years. Robert Fell earned a Bachelors of Agricultural
121: When a Big Mistake Becomes Catastrophic
This is the seventh episode in a 10-part series inspired by the people Allison Langer taught memoir writing, in a men’s prison. You will hear new stories her former students wrote after taking her class and stories from other incarcerated or formerly incarcerated people around the world.Today on the show, we have Dewain Williams. Dewain responded to our call for stories. His story reveals something really ugly at the top. We think he reveals this deliberately to show how much he's chang
My Pen Uncovers the Real Me
This is the sixth episode in a 10-part series inspired by the memoir students Allison Langer taught in a men’s prison. You will hear new stories her former students wrote after taking her class and stories from other incarcerated or formerly incarcerated people around the world.On this episode, Corey Devon Arthur, a journalist inside Fishkill Correctional Facility in New York State, tells his story about wishing he could always be the person he is in writing. Corey submitted his essay through an
119: When Is it Safe to Ignore the Law?
This is the fifth episode in a 10-part series inspired by the people Allison Langer taught memoir writing, in a men’s prison. You will hear new stories by her former students wrote and stories from other incarcerated or formerly incarcerated people around the world.On this episode, we feature an essay by Rashmi Airan, who reads her story and answers questions on the show. Rashmi is an internationally recognized corporate and motivational speaker and entrepreneur. As a leader in her comm
118: Standing at the Prison Gate, I Was Icarus Plummeting to Earth.
This is the fourth episode in a 10-part series inspired by the people Allison Langer taught memoir writing, in a men’s prison. You will hear new stories her former students wrote after taking her class and stories from other incarcerated or formerly incarcerated people around the world.Today’s show shares two stories by Dutch Simmons, who served two years in a federal prison. Dutch reveals the horrors of saying goodbye to his family as he walks into prison. Dutch also takes us through 1
117: A Day in the Life of a Prisoner
This is the third episode in a 10-part series inspired by the people Allison Langer taught memoir writing, in a men’s prison. You will hear new stories by her former students and stories from other incarcerated or formerly incarcerated people around the world.Today’s show shares a story by Roderick Richardson, an inmate in a Florida prison. Rod is a master storyteller who grew up in Liberty City, which is a very rough area in Miami. Rod took care of his six brothers and sisters when his
How Do You Fulfill a Promise When You’re Stuck in Prison?
This is the second episode in a 10-part series inspired by the people Allison Langer taught memoir writing, in a men’s prison. You will hear stories her former students wrote after taking her class and stories from other incarcerated or formerly incarcerated people around the world.To help us get this right, Xaire has agreed to co-host the series with us. Xaire is a poet, singer-songwriter, actor, and teacher who teaches writing and poetry to kids in the foster care system and kids caught up in
What I Learned from Men in Prison
Welcome to Season 12. Today, we’re starting a 10-part series inspired by the people Allison Langer taught memoir writing, in a men’s prison. We put a call out for stories, so you will hear stories her students have written recently and stories from other incarcerated or formerly incarcerated people around the world.To help us get this right, we asked Xaire, who is a poet, singer-songwriter, actor, and teacher to co-host with us. Xaire teaches writing and poetry to kids in the foster care system.
114: Sometimes It's Better Said in a Song
Today on our show, we’re talking about structure, voice, commitment, and especially happy endings. The story you’ll hear was written, read, and sung by Amber Petty. What makes this story so much fun? You know it when you hear it.Amber Petty used to be an actor but now she writes and helps other writers get into freelance writing. In her acting days, she performed at the Upright Citizens Brigade Theater and did over 500 shows of the Off-Broadway 50 Shades! The Musical. She's written for
113: I Was the Real Life's Queen's Gambit
Today on our show, we’re talking about how to frame a story. Not all publications are looking for the same thing. Actually, all pubs are different. On Writing Class Radio, we look for a change in the narrator or a discovery by the narrator. We want the narrator to reveal something big and vulnerable and important. We want something dramatic to happen. And then we want the narrator to make meaning of what happened. The story we bring you today doesn’t exactly fit into what we call a
Voice Isn't Everything, Is It?
Today on our show, we’re talking about voice in a new way. We always say, write like you speak. That’s one of the most important writing tenets, because if you write like you speak, you’re writing in the most truthful way. If you curse, curse. If you don’t speak in fancy prose, don’t write fancy prose.To hear more about voice, listen to Episode 43: Voices in Your Head, and Episode 44: Voices Carry. On today's episode, we ask the question, What if your physical voice says something about you you
111: It’s a Matter of Time
Today on our show, we are featuring an essay by former student Sharon Rothberg. Sharon uses a philosophical concept to work out her feelings about the death of her daughter-in-law. Sharon's use of time and all lingo related to time is masterful. The story structure is also exceptional as is the balanced use of humor and vulnerability.This story really shows how writing helps people figure out things we can’t really understand. Sharon Rothberg lives in Miami, Florida with
How to Write About Death: Use an Obsession.
For the month of August, 2021, we’re bringing back four of our listeners’ favorite episodes. Writing Class Radio brings you personal stories and tips on how to write your own stories. This episode originally aired March 3, 2020 on episode 79.Today on our show, we take a look at bringing an obsession into a story. It’s possible to go deep into an obsession that has almost nothing to do with the story you are trying to tell without being distracting. That obsession can deepen the meaning of the st
109: Show and Tell.
For the month of August, 2021, we’re bringing back four of our listeners’ favorite episodes. Writing Class Radio brings you personal stories and tips on how to write your own stories. This episode originally aired July 31, 2018 on episode 47.In this episode, we examine the popular writing tenet, show DON’T tell. We believe just showing is not only impossible, but detrimental to your story. Telling gives insight into what the narrator is thinking and feeling.To test this theory, we
108: How to Write Your Story with Joyce Maynard.
For the month of August, 2021, we’re bringing back four of our listeners’ favorite episodes. Writing Class Radio brings you personal stories and tips on how to write your own stories. This episode originally aired May 18, 2017 on episode 30.The format for this episode is a little different. Today we’re bringing you a guest teacher, because we think it’s smart to get different perspectives. Joyce Maynard is one of Andrea’s favorite teachers in the world. Joyce has 17 books and
Can You Hear Me if I Can’t Hear You?
For the month of August, 2021, we’re bringing back four of our listeners’ favorite episodes. Writing Class Radio brings you personal stories and tips on how to write your own stories. This episode originally aired April 20, 2017 on episode 29.Allison Langer loves the process of working out her shit and reading it out loud. In class, she can’t hide behind a facade. Andrea Askowitz loves thinking about writing and ways to make stories stronger. She breaks down every sentence and takes out needless
106: How Do You Know if Your Story Sucks?
On episode 106, host Allison Langer tells a story about her post cancer hair. Allison’s story was rejected by The Washington Post. Should Allison give up and write something new? Or should she continue to send her story to other publications? Most often, even expertly-written stories get rejected because they’re just not a perfect fit for a particular publication at a particular time. But, how do you know if your story just sucks?Had Allison listened to Andrea’s edits, would she have go
105: Teach Us Something We Don't Know
This episode is about teaching the reader/listener something they don’t know anything about. Teaching can be done in two ways. One, by taking the reader into a world foreign to most people and two, by relaying information that’s rarely discussed and possibly unknown to the average person. In the story we bring you today, listener and student Danielle Huggins does both. Danielle has Bipolar Disorder and takes us inside her mind while she’s depressed. She also teaches us about Electro Con
104: Sleep Left Me for a Younger Woman
This episode is about commitment. Not commitment to love, exactly, but commitment to a concept. Listener Lucie Frost writes a satirical essay where sleep is her lover. She never slips from the concept. Humor writing requires committing to an idea and pushing that idea as far as you can go.Lucie Frost is a humor and satire writer in San Antonio, Texas. She recently retired from a lifetime as a human resources/employment lawyer. This story was originally published in Slackjaw. Her work ha
103: Is it Ok to Write the Same Story Over and Over?
On this episode, we bring you a story that the narrator has returned to and will probably return to all her life. Everyone has their themes and it’s okay to return to them at different points in our lives. Trigger warning…The story you will hear on this episode documents the loss of a child. If this is a sensitive issue for you, please listen to another episode.Our student and listener Emily Henderson writes a beautiful story about the loss of her son to brain cancer. In this essay, she
102: A Boyhood Brush With Breast Cancer
On this episode, we bring you a story that is not one you hear too often but addresses a very serious situation: breast cancer in men. Kevin Wood shares his essay, A Boyhood Brush with Breast Cancer. This essay was previously published on The Good Men Project.We sat on this story for a few years not because it wasn’t expertly written, but because it lacked an important detail we felt was left out. You'll hear us discuss what happens when a key element seems to be left out of a stor
101: I Own Seven Vibrators and I Still Worry About What to Say at a Cocktail Party
This episode is about writing like you speak, which is the best way to tell a true, authentic story. Andrea and Allison discuss why bringing your voice into a written essay makes the story so much better. You will hear an essay by Anthea Rowan, a writer and listener from Tanzania, Africa. Anthea’s story is about social anxiety. She uses her brilliant British vernacular and charms the listener. Allison and Andrea discuss the writing after the story, why writing class has fucked them
100: Happy F*ing Mother's Day
This episode features an extreme mother story by Diana Kupershmit who is honest and vulnerable. Diana tells the truth about a very tough decision she and her husband made when their daughter Emma was born with a severe disability. Diana reads her story and then Andrea and Allison discuss the brilliant writing and why is it important to be gut wrenchingly honest.Diana’s essay was previously published in Still Standing Magazine, June 9, 2020.On this episode, we mention Krista Tippett’s On
Why Did the Prison Series Get Canceled?
Welcome to Season 11. If you’re new to Writing Class Radio, season 11 was going to be a little different. We started a 10-part series inspired by the people Allison met teaching memoir writing in prison. But last week, Allison was fired by the organization she volunteered for and we were asked to take down the episodes. On this episode, we tell you why.Listen to see how we plan to move forward from here. Just a hint...there is no way we are giving up on our mission to get marginalized and typica
What I Learned from Men in Prison
This episode is the first in a 10-part series where we will bring you stories from men in prison. Host Allison Langer facilitates memoir writing classes through Exchange for Change, a group that brings writing classes into prison. The experiences and voices of Allison’s students at Dade Correctional Institution, like those of many incarcerated people, are often marginalized and unheard. Our goal is to bring these voices to light.To help get this right, we have poet, musician, and activist Marnin
96: How to Hit Your Editors in the Heart
This episode is about secrets, a mom/daughter relationship, and donor-conception, a subject that hit both Andrea and Allison in the heart. When Amanda Serenyi’s friend gets pregnant using donor sperm, Amanda freaks out because she herself was donor-conceived and her mother kept this a secret until she was 33. When Amanda first submitted this essay, Allison loved it and Andrea was reluctant to publish it. You will hear why despite great writing and an interesting story, this story w
95: What Did it Take to Finally Get Published?
Are you writing like crazy but just can’t seem to push the send button on your submissions? Today on our show, Writing Class Radio student Margery Berger tells us what’s been holding her back.Margery Berger has told a story on this podcast before. On Episode 46: An Object is Not Just an Object she told a stunner about her obsession with her scale. Margery has been in class with us for 3, maybe 4, years. She has every ingredient to be a published writer, except one. She is perf
94: Crafting a Story is Like Solving a Puzzle
Today’s episode is about two things. 1. A great way to tell a relationship story is to choose a subject or activity that’s dear to the person you’re writing about. Then, describe that activity. 2. Stories are puzzles. There’s a false binary idea that writers are creative and therefore not good at math. We disagree. You have to tap into both sides of the brain to create good stories because there’s a mathematical equation in stories.Writing about a subject or activity or in today’s case,
93: Brave Listener Gets Hard Edits
We asked you, our listeners, to send in your unfinished essays. We didn’t mean first drafts. We meant those essays you’ve been working on forever that you can’t get to the bottom of. Today on our show, we bring you an unfinished essay by listener Julie Schoelzel, a writer from Keene, New Hampshire. We hope to offer Julie insights into figuring out what she’s come to say and how to finish her essay. In every class, of every essay, we ask: What is the story about? After several draft
Taking the Long Road, Writing About Transformation
Today’s show is about transformation. How does the narrator change? How does the narrator grow? You’ll hear a story by Autumn Hudson, an elite body tattoo artist, who went from dropping out of school, to drug addiction, to fulfilling her dream of becoming a tattoo artist. Autumn’s story exemplifies a narrator’s transformation.Writing Class Radio is co-hosted by Allison Langer (www.allisonlanger.com) and Andrea Askowitz (www.andreaaskowitz.com). This episode of Writing Class Radio is produced by
91: Bye Bye 2020
On today’s episode hosts Andrea and Allison say goodbye to a shit year. They each took the prompt: Bye Bye 2020. Andrea got nothing and explains that the story she kept coming to--about her daughter having a rough time--is a story she’s not yet prepared to tell. Nothing else felt honest. Allison writes about her last chemo treatment on January 9, 2020. She was ready to move on from cancer forever, when six months later her dad sat down in her office midday and gave her the news: he
The Upside to a Downside
On today’s episode you’ll hear a story that takes a bad situation and finds the good. We don’t love sappy happy endings, but honest happy endings are the best, especially when they bring joy to the world. Jamie Katz got married on her balcony during lockdown and was greeted with some pleasant surprises. Her story also shows how much can be told with very few words. Writing Class Radio is co-hosted by Allison Langer (www.allisonlanger.com) and Andrea Askowitz (www.andreaaskowitz.com). This episod
How Does a Man Get Away with Calling Women Bitches and Hoes in a Story?
Today’s episode is the last in a series called Home. Writing Class Radio helped produce a documentary with Chapman Partnership, a homeless center in South Florida, exploring the meaning of home. Our documentary will air on PBS, date (tba).On this episode, you will hear a story by Marvin Jenkins, a past student, poet, Boeing employee, and dad. Marvin lost his home after he wrote an explicit text message to his girlfriend’s best friend and she kicked him out. Marvin has always been in love with Se
Should I Stay or Should I Leave This Country?
Today’s episode is part of a series called Home. Writing Class Radio helped produce a documentary to help end homelessness for Chapman Partnership, a homeless center in South Florida.On this episode, you will hear a story by writer Tiffanie Drayton who takes an idea that most Americans hold about our country and turns it on its head. Typically, people come to America to seek asylum. But, Tiffanie left America to seek asylum. She left because she didn’t feel safe here as a Black American. Tiffany
87: At Home in My Skin
Today’s show is part of a series called Home. Writing Class Radio helped produce a documentary to help end homelessness for Chapman Partnership, a homeless center in South Florida. We put out a public call for submissions for stories about home. The call brought so many different and fascinating takes. Thank you to all the people who submitted stories. In our series, you’ll hear a story about a woman who is torn between two homes, a man who finds home through love with a woman whil
86: Torn Between Two Houses Feeling Like a Fool
Today’s show is the first in a four-part miniseries called Home. Writing Class Radio helped produce a documentary to help end homelessness for Chapman Partnership, a homeless center in South Florida. We put out a public call for submissions for stories about home. The call brought so many different and fascinating takes on home. Thank you to all the people who submitted stories. In our series, you’ll hear a story about a woman finally feeling at home in her body, a man w
85: What Does Your TV Habit Say About You?
This episode is about story structure and all things done well in an essay. LiAnne Yu tells a story about watching TV with her Chinese immigrant parents. As a narrator she brings us into her world--dinners in front of the TV with her parents. She uses detail to reveal character--Mork & Mindy, Sex and the City, and Fox News. She follows the five Cs of story structure: context, circumstance, complication, change, consequence.LiAnne Yu is an anthropologist and writer based in San Franc
84: Who's Your Voice of Reason?
This episode is about using a character to express the voice of reason. So often in a story, the narrator is in a bind and can’t see clearly. In the story we bring you today, the narrator’s wife says something that opens the narrator’s mind to a different point of view. The narrator went years believing something that might not be true. In this story, he artfully showed us the moment the story he told himself was called into question. Today’s story is by listener Nicholas Garnett,
83: Every Word Matters
Today on our show, we’re talking about how every word in a story matters. We have a story to share that illustrates this point so well. Essayist, teacher, and Writing Class Radio listener Amy Paturel submitted her story called “The Other Love of His Life,” which was originally published in Newsweek, April 2009. Amy’s story is a great example of how every word must lead to the final conclusion. Every scene, detail, and description should move the story forward. If not...cut. Th
A Poet's Response to Senseless Murders
This episode of Writing Class Radio is dedicated to George Floyd, Ahmaud Arbery, and all those who have lost their lives in a senseless murder.The story we share with you on this episode is by student and poet Zorina Frey. Last Saturday, May 30, 2020, Andrea gave students a writing prompt and 14 minutes to write about whatever came to mind. Zorina’s response is helping us sit with the sadness, anger, and grief. It is a story that’s helping us reflect and process everything that’s going on. The p
An Insider Conversation with a Literary Agent
Today on our show, we share a New York Times Modern Love essay we love by Jessica Strawser, editor-at-large at Writer’s Digest. Her essay caught the attention of literary agent Barbara Poelle, an agent with the Irene Goodman Literary Agency and the author of Funny You Should Ask: Mostly Serious Answers to Mostly Serious Questions About the Publishing Industry. Her book is based on her Writer's Digest column of the same name. On today’s show, we share our conversation with Barbara about how to ge
80: We Grant you Permission to Write or Not to Write
Today on our show, we are talking about what we can’t stop talking about, the coronavirus. Every email, text, call starts with, “How are you holding up?” It’s beautiful and exhausting, so we put out a call for coronavirus stories.We have two stories to share. One is by our own Andrea Askowitz who is still living in Madrid. Madrid is one of the most contagious cities on earth and if you’ve seen her videos of her family dancing on FB, you are aware she’s going a little stir-crazy. Writing
79: How to Write About Death: Use an Obsession
Today on our show, we take a look at bringing an obsession into a story. It’s possible to go deep into an obsession that has almost nothing to do with the story you are trying to tell without being distracting. That obsession can deepen the meaning of the story by giving us a peek into you, the narrator. Editors get a lot of stories about cancer, dead dogs, aging parents, etc. We’re not saying, stay away from these topics. We’re saying, writing about an obsession is a way to write
78: Writing Helps You Figure Out How You Think
Today on our show, we’re talking about how writing helps you figure out how you think. And helps you see yourself, specifically your failures more clearly because it’s hard to ignore a pattern when you see it in writing.We share an essay by listener, Karen Debonis who’s story, “Even the Weak Can Weather the Storm” is about what it ultimately took to make her change from being overly agreeable to a fierce badass defender of her child. It wasn’t his illness that was the catalyst, but read
Gotta Be a Good Literary Citizen if You Wanna Get Published
Today on our show, we’re talking to Susan Shapiro about literary citizenship. A literary citizen is someone who does good things for other literary people like re-tweet their published essays, share insider dos and don’ts, and hook people up with editors. Being a good literary citizen will help you get published because it shows that you know what’s going on in the literary world, helps build your platform, and it probably brings you some good karma. Susan Shapiro has made a career out of doing
76: Abortion Stories Matter
On this episode, you’ll hear two stories about abortion, because we believe abortion stories must be told to keep abortions safe, legal, and accessible. If all women who had abortions told their stories, abortion would not be stigmatized, public perception would change, and laws would change. We put a call out for abortion stories. We received several, all from women who did not regret their abortions. According to The Guardian, 95% of all women who have abortions don’t regret them
75: How to Go From Idea to Published Essay to Book Deal
Today on our show, we’re talking to Lilly Dancyger, an editor at Catapult, among many things. She’s also a freelance editor at Narratively and Barrelhouse Books, a memoir writing teacher, writer, curator of Memoir Monday, and the editor of the just-released anthology called Burn It Down. We talked to her about what she’s looking for in an essay, and how to successfully pitch to Narratively and Catapult. Read this before you submit to Lilly or anywhere. Ariel Henley reads her essay
74: Think Like a Writer with Dani Shapiro
We recorded this show from Miami and Madrid. If you are new to Writing Class Radio, welcome. Today on our show, we have the brilliant and generous Dani Shapiro, author of five novels and five memoirs, plus thousands of essays and a podcast called Family Secrets. A few years ago, Andrea sat down with Dani and talked about thinking like a writer, repeating themes in writing, figuring out what a story is about, and the conflicts all writers face, especially mothers, in revealing other
73: How to Write When Shit Gets Real
Today our show is going to be a little different because shit just got really real. Three weeks ago, Allison was diagnosed with Stage 3 ovarian cancer. In this episode, we share the stories we wrote about this situation. We are treating this episode as if we’re in writing class by sharing our own writing and critiquing it, because writing and sharing and then getting and giving feedback is how we deal with whatever's going on in our lives. We thought writing and critiquing would help us
72: Create Scenes So People Remember
Today on our show, we’re talking about how to create a scene and why scenes matter. We often bring up the writing tip show AND tell. The scene is the show. It’s the action. It’s where we put dialogue and show character. Scenes are the moments we remember.For more on show and tell, listen to Episode 47: Show and Tell. You’ll hear one of Andrea Askowitz’s stories, where she fights with her son about homework. And you’ll hear stories by Allison Langer and Misha Mehrel where they show and t
71: What’s Inside Your Container?
This episode contains content about a suicide attempt.Today on our show, we’re talking about a container, which is a cool way to structure a story. It’s a method to tell your entire story while you are contained in a place or period of time. For example, on a plane, in a meeting, or an afternoon at a hair appointment. The goal is for the narrator to take the reader or listener along in the moment while stepping out of the container to tell a much bigger story. Lorinne Griswold
70: How to Write About the Unbelievable
Today on our show, we’re talking about how to write about the unbelievable. Things like UFOs, mediums, and talking to the dead. In the story you’ll hear, our narrator hears a voice from beyond.In this episode, like many past episodes, we also get into the concept of likeable narrator. If you want more on likeable narrator, listen to these episodes: Likeable Narrator--Be the Biggest Asshole in the Story; A Time I Fucked Up part 1 and part 2.We bring up likeable narrator, because we feel
69: How to Write Your Story While You're Still Living It
Today on our show, we’re talking about how to end a story when the situation is ongoing. You’ll hear an essay by the Brazilian born Miami writer, Camile Flosi Araujo. Camile brings us into her world, which changed dramatically for her when she got into a car accident that left her paralyzed from the waist down. She made a startling discovery, not that she’s pissed about the accident, although she is, but that she’s pissed at herself for how she lived before the accident. Listen to hear
68: What's a Meta Phor?
Today on our show, we’re talking about metaphors and how they work in a story. We share a story by Elizabeth Newdom whose story is shaped around a metaphor. Elizabeth’s essay first appeared in Motherwell, an online magazine that tells all sides of the parenting story. We called the editors of Motherwell, Randi Olin and Lauren Apfel, a badass editing duo and talked to them about their tag team approach to editing, what grabbed them about Elizabeth’s story, and the use of metaphors.
67: Ready, Set, Go Get Into College
Today on our show we’re talking about perseverance, a quality important if you want to be a writer, a runner, or someone successful at crafting the dreaded college essay. What makes your essay stand out to publishers and to college admissions directors is the situation and the story. They want to see the loss or the win, because that’s what allows others to connect with your story. They also want to know what you learned from the experience and how that experience informed your characte
66: How to Brag and Pull it Off.
Today on our show we’re talking about bragging, specifically on the dreaded college essay. How do you brag yourself up without sounding like a total $#&%$#? (We’re PG for the high schoolers...as if). The answer is, you have to be willing to get vulnerable and reveal your ugly side, then you can brag all you want.Allison has been working with high school students all over the country on their college admissions essays. This is the first episode in a two-part series where we bring you
65: Slow Down. You Don’t Want to Miss this Moment.
Do you know how sometimes when you’re reading a story you feel like the story slows down in a critical moment? Maybe the narrator describes the people in a room or the birds on a tree nearby. Maybe there’s a flashback to a memory. In that moment, the reader becomes hyper aware and hopefully totally drawn in.Today on our show we’re talking about slowing down and expanding a moment. A moment in a story that says to the reader, “Hey, pay attention. I’m about to give you some details that a
Inspiration Sometimes Comes in the Form of a Dress
In class, sometimes we ask people to close their eyes and smell sunblock, or freshly baked bread. Sometimes we play a Beatles song or have students squeeze Play-Doh. Sometimes we throw out a word like pussy. Then, we ask students to write about the first thing that comes to mind. All of these prompts inspire stories.Today on our show we’re talking about how inspiration for stories can come in a word, a song, a scent, or an object like a dress.You will hear a story by Nancy Brier, a listener from
63: From Pitch to Publications
Today on our show we’re talking about pitching to publications, what to include in a query letter and all the homework you need to do before you pitch to an editor. Writer Baylea Jones shares her pitch and her story.We speak with Ravishly editor Erin Khar about what it was like to receive Baylea’s pitch, as well as why she chose Baylea’s story. Erin will also discuss the basic how-to’s for submitting stories for Ravishly and elsewhere.Writing Class Radio is a podcast where you’ll hear t
The Devil's in the Details
Details matter. Details bring the reader/listener into a world they may know nothing about. They help us trust the narrator. The more specific the details; the more universal the story. In this episode we bring you a story by Inessa Freylekhman. She’s a Feng Shui expert, speaker, spiritual counselor and author. Inessa uses details well throughout her story, but there is one specific detail that exemplifies the type of detail we’re always looking for. Listen for it. To help you get specific in yo
61: How to Stop Procrastinating and Write Your Story
On this episode, we talk about procrastination. We also talk about speaking directly to the reader from a place of experience. And giving advice, which is really hard in a story and in life. If you're willing to be vulnerable, you can do it. We’re starting with a story by Jenni Berrett called You Aren’t Lazy--You’re Just Terrified: On Paralysis and Perfectionism. Jenni is a columnist at Ravishly, an online magazine that celebrates the mess of being human. Her story is relevant to all of
If You Want to Write About Death and Get Published, Write the Truth
In this episode we’re talking about writing about death. We have a story by Leslie Gray Streeter, a columnist for the Palm Beach Post who also contributes to Modern Loss, the online magazine dedicated to normalizing the way we talk about loss. Leslie’s story is called, What I did with My Husband’s Life Insurance Money. Leslie uses humor and a conversational style when writing about the death of her husband, the same humor and voice she’d use to write about anything. We also speak with Gabriel
59: A Time I Had an Unpopular Opinion
In this episode we air the winner of our fall writing contest--Jen Antill. The prompt: A Time I Had an Unpopular Opinion reaped a story about a woman who is pregnant at 24, but doesn’t want to be. It turns out, she never wanted to be a mother. Starting with a prompt like a time you had an unpopular opinion can lead to a story with tension, conflict, and high stakes, all of which make for a great story. Writing Class Radio is a podcast where you’ll hear true personal stories from th
Everyone Needs an Editor/Friend
This is the final episode of the Andrea Show. For the last seven weeks, we brought you a story written and read by Writing Class Radio co-host, Andrea Askowitz, with commentary by her editor, co-host, Allison Langer. Andrea took a weekly essay challenge on her 50th birthday in May 2018, which was inspired by a quote by the author of Fahrenheit 451, Ray Bradbury. He said, “Write a short story every week. It’s not possible to write 52 bad stories in a row.” This week Andrea’s story conflates edito
What's Your Achilles Heel?
For the next two weeks, we will bring you a story written and read by Writing Class Radio co-host, Andrea Askowitz, with commentary by her editor, co-host, Allison Langer. Andrea took a weekly essay challenge, which was inspired by a quote by the author of Fahrenheit 451, Ray Bradbury. He said, “Write a short story every week. It’s not possible to write 52 bad stories in a row.” This week Andrea takes us on a 12-mile run through Miami, where she snaps something in her leg. She uses the experienc
56: Write About Me!
For the next three weeks, we will bring you a story written and read by Writing Class Radio co-host, Andrea Askowitz, with commentary by her editor, co-host, Allison Langer. Andrea took a weekly essay challenge, which was inspired by a quote by the author of Fahrenheit 451, Ray Bradbury. He said, “Write a short story every week. It’s not possible to write 52 bad stories in a row.” On this episode, Allison and Andrea talk about a subject that comes up in every writing class: What do you
The Mean Letter You Always Wanted to Write
This week, Andrea uses the epistolary form--story written as a letter--to get her point across. The letter form is very intimate because the narrator is speaking directing to you. We hope this process will help writers get published or at least get inspire to write. For the next four weeks, we will bring you a story written and read by Writing Class Radio co-host, Andrea Askowitz, with commentary by her editor, co-host, Allison Langer. Andrea took a weekly essay challenge, which was inspired by
54: From Writing Prompt to Published Story
For the next five weeks, we'll bring you a story written and read by Writing Class Radio co-host, Andrea Askowitz, with commentary by her editor, co-host, Allison Langer. Andrea took a weekly essay challenge, which was inspired by a quote by the author of Fahrenheit 451, Ray Bradbury. He said, “Write a short story every week. It’s not possible to write 52 bad stories in a row.” This week, something cool happened. Andrea didn’t know what to write about, so she called Allison and they bot
53: Should I Edit Out the Dick Pics?
This is week three of an eight-week experiment. We’re bringing you a story a week by Writing Class Radio co-host, Andrea Askowitz, with commentary by her editor, co-host, Allison Langer. Andrea took a weekly essay challenge, which was inspired by a quote by the author of Fahrenheit 451, Ray Bradbury. He said, “Write a short story every week. It’s not possible to write 52 bad stories in a row.” On this episode, Andrea tells a story about what girls have to endure in our modern world. She
52: Funny Story...My Brother Has Cancer
For the next seven weeks, we will bring you a story written and read by Writing Class Radio co-host, Andrea Askowitz, with commentary by her editor, co-host, Allison Langer. Andrea took a weekly essay challenge, which was inspired by a quote by the author of Fahrenheit 451, Ray Bradbury. He said, “Write a short story every week. It’s not possible to write 52 bad stories in a row.” This week, Andrea tells a funny story about a not funny at all topic--her brother’s cancer diagnosis. After
51: It's Not Possible to Write 52 Bad Stories in a Row
Welcome to Season 6. For the next eight weeks, we will bring you a story a week written and read by co-host, Andrea Askowitz, with commentary by her editor, co-host, Allison Langer. This week, Andrea tells us why she took a weekly essay challenge, which was inspired by a quote by the author of Fahrenheit 451, Ray Bradbury. He said, “Write a short story every week. It’s not possible to write 52 bad stories in a row.” After the story is read, Allison and Andrea discuss the piece, what it
50: We Don't Care About Your Life if it Doesn't Serve this Story
This is our 50th episode and our last episode of Season 5. Today we’re talking about omitting needless words because who has time for excessive blah, blah, blah. You will hear a great example of a story that got chopped in half. Allison Langer’s story called Why I decided to ignore the judgy snobs (like me) and have my babies on my own was published in the Washington Post, August 31, 2018. After Allison tells her story, we talk about how the story lost 1,500 words. This episode is also
49: This is Awkward. Nobody Wants to Talk About Money
Writing about hard topics like money is awkward. No one wants to admit that they have money. And no one wants to admit that they don’t have money. Money is one of those topics that embarrasses people or divides people. This episode talks about MONEY. In this episode, we are also asking our listeners to join the movement of people who believe in the power of storytelling. We’re asking YOU to donate to our podcast. If you like this podcast and find us valuable, hit the support us button o
Get Into a Writing Class So You Can Write About Your F'd Up Family
Today on our show we’re talking about compassion, families, and the legacy they leave. We’re also talking about how to write about those people in our lives who have fucked us up. And who hasn’t been fucked up by a parent? However, nobody wants to hear a rant. We must get to know the characters from all sides, which means, all the good things and all the ugly things. Nobody is all good or all bad. Liz Marquardt is a student in our class who has told stories on the podcast before. She does a grea
Show and Tell
In this episode, we examine the popular writing tenet, show DON’T tell. We believe just showing is not only impossible, but detrimental to your story. Telling gives insight into what the narrator is thinking and feeling. To test this theory, we asked our students to just SHOW. We gave the prompt: A Fight and instructed them to go directly to scene without explaining. After ten minutes, the students were asked to continue where they left off but to move from the scene into exposition, to just TEL
An Object is More than Just an Object
Today on our show, we're talking about objects. Things like a pen, trash cans, reading glasses, and a scale. We can build stories around these things because these objects affect our lives. They can stand in for an emotion. The phrase for this is object correlative. T.S. Eliot used this phrase to describe “a set of objects, a situation, a chain of events which shall be the formula of that particular emotion.” We asked students in our class to write about an object. You will hear prompt responses
Identity is Fuzzy. What's Behind Your Many Faces?
Today we are talking about identity; how sometimes what we show on the outside is not what we feel on the inside. As a storyteller, you have to know who you are. Or try to figure out who you are through the writing. Three of our students address identity. First Aaron Curtis, who is a blogger and bookseller writes about being mistaken for a Republican. Second, Tobi Ash, who is a philanthropist and grant writer writes about hiding beneath a veneer. And last, Yaddyra Peralta, who is a poet, teacher
44: Voices Carry a Lot of Weight in a Story
The way a story is told out loud adds another layer to a story. On this episode, we’re talking about how our physical voices can carry a story with inflection, pace, volume, tone, and pitch. Voice can even make us love a story we might otherwise not like, or understand. Meet Asia Sampson renown poet and founder of The Asia Project (spoken word, poetry and storytelling)as he performs his new poem Desks Are Not Bulletproof and takes you through his creative process. If you love the way As
43: Voices in Your Head
Writing is a gift of yourself. It should give the reader or listener a glimpse inside. It should be something true and new and vulnerable. In a story, we reveal ourselves through voice. What we mean by voice in a story is the tone, the mood, and the personality of the narrator. Voice can be created by word choice, sentence structure, and even punctuation. The way someone tells a story out loud plays a big role in how we receive the story, but in today’s episode, we are talking about voi
Secret Pleasures, Who Are We to Judge?
On this episode, we’re talking about secret pleasures, with a twist. We’re bringing you the winner of our writing contest. We gave the prompt: Secret Pleasure and we got some good ones. Our winner, Erika Flynn from New York City is a professional mistress. She tells us how SHE is the secret pleasure.Lia Seirotti, a student in our class, tells a story called Ball and Chain, about her own secret pleasure. Both stories bring up the issue of fidelity.In writing class, we do our best to talk about th
41: The Moment I Knew Everything Was About to Change
We’re in season 5! We decided, after 40 episodes, to follow a schedule. So please look out for us on the first Wednesday of every month. On this episode, we’re talking about moments. Going to a moment is a storytelling technique that requires the narrator to first remember something dramatic or important and then paint a scene. This technique works in memoir writing, fiction writing, in college essays and in your business marketing materials. If you remember a moment from childhood or l
Likable Narrator: Be the Biggest Asshole in the Story
On this episode, we’re talking about creating a likable narrator. The narrator is the I in the story. It’s YOU. We see this a lot with beginner writers and we probably did this too, and that is tell a story about a time we were the hero. Sad truth: no one wants to hear how great you are. This is true in life too. What people connect to in stories and in life are times when you’re vulnerable. This is counterintuitive because everyone wants to show a good face, but we connect to a narrator who’s w
Get Out of Your Way and Write
On today’s episode we’re talking about getting out of our own way when writing a story. The writing process starts with getting the truth on paper. We write about situations or problems we’re dealing with or have dealt with, things we’re still trying to understand or resolve. The goal is getting to the reason we’re writing the story and what the story is really about. Andrea is a huge believer in writing and rewriting. That’s her process. A first draft is usually shit. Then the second draft all
38: Write Better by Mimicking the Masters
On today’s episode we’re talking about mimicking the masters the way you’d imagine a painting class in Paris that goes to the Louvre to practice painting like Leonardo de Vinci. We think it’s worth copying a method that works because we know it worked in the past. Learn the rules before breaking the rules. In this episode, you'll hear stories that mimic the style of Boys, a story by Rick Moody. Andrea took a class at the Miami Writers Institute with Brian Turner, author of the memoir, M
37: Ready to Write that Memoir or Novel? Nov. is National Novel Writing Month
November is #NaNoWriMo (https://nanowrimo.org/), and we have executive director, Grant Faulkner (http://www.grantfaulkner.com/), on our show.Today we’re talking about novels because we go both ways. And also because storytelling principles are the same when writing fiction or nonfiction. Get inspired and join millions of people around the world who are racing to finish a book this month. Allison’s in the race.Grant is the Executive Director of National Novel Writing Month and the author
Hurricanes and Stories Define Us, Since the Beginning of Time
On this episode of Writing Class Radio we ask for your support, because producing ain’t free. Please go to writingclassradio.com and hit the donate button. This podcast is equal parts heart (the truth) and art (the craft). This episode was conceived after Hurricane Irma blew through South Florida. The entire state seemed to be preoccupied if not scared to death, leading up to the moment Irma made landfall on September 10, 2017. Afterward, Andrea couldn’t wait to get back to class to write and sh
What Makes You You?
This episode of Writing Class Radio is dedicated to everyone who’s dealing with some kind of natural disaster. For us in Florida, the last two weeks have been all consuming and also terrifying. Our hearts go out to those who got hit a lot harder than we did. We love that we have this podcast to come back to and we feel so much love and appreciation for you, our listeners. Thank you for listening.Today’s episode is about character, the things that make you you. We have a special guest, the author
34: Let's Ignore Writing Class Protocol and Talk About Our Lives
In this episode, we go off the rails...a little. We invited our class into Allison’s living room where in addition to writing advice, we gave life advice. Allison believes that the better we know ourselves, the better our writing will be. Andrea was scared shitless. She thought the class would be more like a therapy session. Andrea likes the boundary set up in class. She thinks not being allowed to talk about someone’s life allows everyone to write more freely. She doesn’t want to be ju
33: Great Writing Starts With a Question. What Don’t You Understand?
In this episode, you will meet the winner of Writing Class Radio’s spring writing contest. The prompt: Write about something you don’t understand. Andrea suggests that great writing starts with a question. Writing is about figuring out what you don’t understand. It’s a discovery process.Contest winner, Jeana Fleming’s reads her story. After, Andrea and Allison weigh in on why they chose her story and what makes the writing so great. Allison talks about Exchange for Change, an organizati
Will This Ever End?
In this episode, Allison and Andrea are talking about endings. How to end an essay when often the issues we write about are ongoing. Should we know the ending when we begin? Does the end of the essay have to show a change in the narrator? Can we show change or find meaning without distance? Can we leave the reader to interpret the ending or must we bang them over the head with the change? Listen as we answer these questions.We bring you examples of great endings from students Lis Mesa and Aaron
31: Take Me Into Your World
In this episode, Allison and Andrea are talking about worlds again because Andrea got so excited by Nilsa’s story in the episode Can You Hear Me if I Can't Hear You? where she brought us into the world of the hearing impaired.In class Andrea had us make a list of the worlds we live in. Then she said, “Pick one and take us into that world.” Allison wrote: single mom, tennis player, online dater, windsurfer, gym rat, health nut, tighty-whitey. Andrea wrote: mom, daughter, younger sibling,
30: How to Write Your True Story with Joyce Maynard
The format for this episode is a little different. Today we’re bringing you a guest teacher, because we think it’s smart to get different perspectives. Joyce Maynard is one of Andrea’s favorite teachers in the world. Joyce has 17 books and has been writing for 50 years. She started when since she was 13. Andrea asked Joyce to read and deconstruct her essay, Letting it Fly which was originally published in 1997 in the New York Times Lives Column. In the interview, Joyce explains what goe
29: Can You Hear Me if I Can't Hear You?
This episode is about connecting through writing. It’s also about the job of storytellers to bring us into their world. New student, Nilsa Rivera, tells a story about her fear of isolation, which stems from a very unique set of circumstances--she’s hard of hearing. She uses writing to fight that fear. Andrea relates to Nilsa in a very small way and emails her after class, which she immediately regrets doing. In class, students (and teacher) are only allowed to give feedback on the writi
Who Has Time?
Get ready folks, Allison and Andrea are hosting this episode together: an episode about time. Student Allison Langer is obsessed with the lack of time she has lately. So, in class teacher, Andrea Askowitz, gave this prompt: I wish I had more time to_______. Andrea reads her story from class about wanting more time to work. Allison reads a story she brought into class about wanting more time PERIOD. You will also hear responses from students Diego Saldana-Rojas, Lis Mesa, Claudia Franklin and Vic
When Is It Okay to Bullshit?
Lies seem to be the new norm in our world. There’s probably a bumper sticker that says Lies Are the New Truth. Great bumper sticker, but it has Andrea Askowitz totally freaked out. Andrea is the teacher of the class and the host for this episode, which is about lies in stories and lies in the world. We start with a story by a new student, Claudia Franklin, that got us thinking about truth and lies in memoir and when, if ever, is lying fair game. Claudia’s story takes a surprising turn as she ima
26: Writing is Therapy
This episode looks at writing as therapy. We look at writing as a way to understand these things we carry: secrets, pain, and shame. Allison Langer, a student in the class, is the host of this episode. Three new students share their stories. Michelle Massanet tells about a rape that she hid for 22 years and how much lighter she feels since writing about it. Lis Mesa explores getting to the real story she’s been trying to tell all semester and Jennifer Dertouzos finally talks about her b
A Time I Fucked Up Part 2
We picked two winners of our first annual writing contest. Listeners responded to the prompt: A Time I Fucked Up. We got tons of submissions revealing your major fuck ups and tons revealing your little mess ups. One woman’s vacation slideshow accidentally included a naked selfie. Another woman almost killed a sheep. One did kill a chicken. And here’s what gringa Hope Torrents said to her Spanish mother-in-law on Thanksgiving. “Hoy es el dia del polvo,” which means, “Today is the the day of the f
24: A Time I FUCKED Up
This is the prompt we threw out to listeners for our first annual writing contest. Listeners wrote in with lots of crazy and sad and funny stories. One of our winners was Melissa Vincel, who wrote an essay that stood out for its simplicity, clarity, and subject matter. Instead of the all-too-common story about the jilted lover, Melissa was the jilter. Plus, she answered our teacher, Andrea Askowitz’s, three most important questions. What has the author come to say? Why is she writing th
I Fart, You Fart, We All Fart and Most of Us Deny It.
Allison Langer is a student in the class and the host on this episode of Writing Class Radio. She shares all the reasons why writing class is so much fun. FUN-- a theme chosen because life has gotten too busy, too scheduled and way too serious. In writing class, we laugh. We disconnect from social media and from judgement. We share our most intimate and peculiar “things” and then cry or crack up, whatever the context requires. Instead of judgement, there’s compassion, requests for more details,
22: Walking in Someone Else’s Shoes Feels Impossible Right Now
Andrea Askowitz is the host of this episode. She talks about how writing a good story and understanding the results of this presidential election require a mammoth effort in understanding someone else’s point of view, an effort she is failing at right now. She interviews Stephen Elliott, who is the author of seven books and two movies and the founder and senior editor at The Rumpus, about the job of a memoir writer. Stephen says that in literature, memoir and in life there are no bad gu
21: How To Tell Your Inappropriate Story: Live Show with Ann Randolph
Writing Class Radio goes live to the stage. This episode is part live show, part interview with star of our show, the award-winning, solo-performer, Ann Randolph. Allison Langer is our host. This episode is about the importance of telling stories--not fairy tales, but the real scary, true stories we like to hide. Allison got into writing after the death of her young daughter. Writing about the situation helped her deal with the pain and get back to the job of mothering her other childre
Where Do I Go From Here?
This episode is about those moments in life when you have no idea how you got here, whether to stay or go, or where to go next. Allison Langer, student in the class and host for this episode, asks the questions most of us struggle with. Did you land that dream job that turned out to be not so dreamy? Do you wish you lived somewhere else but can’t afford to move? Do you wonder what life would be like if you could just finish school already? Have you ever reached that point when you’re not sure yo
19: I'm Obsessed with Tony Robbins, Tim Ferriss, Steve Almond, and my Spin Instructor
This episode is about obsessions. Andrea Askowitz, the teacher of the class speaks to Allison Langer, co-producer and student in the class. They discuss what she learned from the Tim Ferriss podcast when he interviewed Tony Robbins. Allison heard Robbins say, “Rejection breeds obsession.” And, ”The parent whose attention you were trying to get is the person who shaped you.” Andrea talks about how at the dinner table growing up, her dad would tell her to cut to the chase. That led to her
18: Who is Jahn Dope? From H.S. Football Star to Homeless Man to the Great Philip Sylverin
This episode is about self destruction. Jahn Dope, one of the students in our class, reads his story, Dark Matter. Jahn’s story begins after he overdoses on LSD after a crazy night of drinking and drugs, then backtracks to childhood. After Jahn’s story ends, the class was left with questions. So, producers Diego and Misha met Jahn at work to get the whole story. Listeners will hear why Jahn dropped out of college and what happened next.Jahn tells us how he got deeper and deeper into dru
17: Circuit Boys, Gym Rats, Papi Chulos, Fashion Queens, Bears...Which One Are You?
This episode explores perspective, how sometimes it takes years to figure out that something you did or thought was totally fucked up. Bo tells his story about getting blocked from a 1-900 gay hotline. But the story is really about how it took him years to become comfortable enough with himself to stop judging the free expression he witnessed among the gay people he first encountered on Miami Beach 24 years ago. Bo came from the deep South in search of freedom from oppression. He wanted
16: Step Out of Your Comfort Zone...Where the Magic Happens.
This episode explores the different zones we live in: comfort zone, stretch zone and panic zone. Allison talks about her experience at dinner with new friends and how she complained the entire night. She realizes she ventured too far into her stretch zone and panicked. Misha Mehrel tells his story on the stage at Lip Service, a live storytelling event in Miami. The story is about his hairy ass. The story was written in his very first writing class in response to a prompt. Misha worked o
15: Dear Listener
This episode explores the epistolary form, which is just a snobby way to say stories written in the form of a letter. Andrea Askowitz starts with a letter written to her from her best friend in high school. Robin and Andrea wrote hundreds of letters back and forth to each other throughout their friendship.The letters in this episode were written 30 years ago, when Andrea spent a summer at camp away from Robin. She also has the letters she wrote to Robin, because Robin died when they wer
14: Taboo: Fat, Fuck, Masturbation
In this episode, we discuss what is taboo. Is it a word, a topic? Is it the same for everyone? We learn why we need to talk about things considered taboo, and when to actually write taboo words instead of referring to them. You’ll hear from Inessa Freylekhman who’s mom tells her what not to say on a date. You’ll also hear from Nicki Post, who feels that abortion is more taboo in the United States than in Korea. We’ll also take you into our community workshop where several new students w
13: Rejection Sucks. Why Do We Put Ourselves Out There?
In this episode, student and co-producer Allison Langer puts herself out there in writing and in love. The first story she tells was submitted to Modern Love, a column in the New York Times. Allison’s story got rejected, which is the subject of the second story she tells. Also in the second story, Allison compares the Modern Love rejection to rejection in love. Allison shares her motto for dealing with rejection. A motto she borrowed from author Cheryl Strayed. You’ll also hear Andrea d
12: Emotional Hangover. Those Times When You Feel You Told too Much.
Have you ever told a story or shared a secret and regretted it? Like you wake up the next morning and you’re like ew, why’d I say that? And then you want to vomit? Today we’re talking about telling stories that give us emotional hangovers. Those times when you feel you told too much. In this episode, Nicki Post tells her story about the time she was raped. Andrea discusses the class rules after someone tells a story. We pretend the person who just told the story isn’t in the room. We ad
11: Words Matter: Student Missy Shares Words with her Hero Elizabeth Gilbert
The words we say to each other and ourselves shape our lives. One of Andrea’s favorite writing tenets is: Make every word count. In today’s episode we learn that every word counts in life also. This is the first episode of our second semester and we have some new students. You’ll hear Missy Hernandez tell her story called Words. Her story is about sharing words with her hero Elizabeth Gilbert of Eat Pray Love. Missy ended up on Gilbert’s Podcast, Magic Lessons. Hear how Lizzy’s words br
10: How to Write a Story Meant to be Told Out Loud
Today, we’re talking about writing stories meant to be told out loud. Jahn Dope tells his story, Tackled, about the time he was raped. Andrea Askowitz tells her story Thank You For Listening, about the time she went 24 hours without talking about herself. Both stories were told on stage at Lip Service in front of 600 people. You’ll hear how a performance can change the gravity of a subject. Allison Langer is the host and substitute teacher for this episode. Andrea, our regular host and
Will You Love Me Forever or Just on Valentine's Day?
Today, we are stepping out of order because it’s February and we’re in the U.S. and we can’t avoid thinking about love. So, we’re bringing you a Valentine’s Day episode. This episode is a little different. Slightly less teachy, thought not without this lesson: A good way to approach a story is to ask a question and then to try to answer it. You’ll meet students from season two and you’ll hear from some of regulars that you already know. You’ll hear their questions about love. Miriam Her
9: Who Cares About Your Story? What Are the Stakes?
We’re talking about stakes. And we don’t mean those slabs of meat you eat if you’re not a vegetarian, but what makes a listener or a reader care about a story. And we’re talking about what we have to lose as storytellers when we tell our stories. One thing we know about memoir writing is that the narrator lived to tell the tale. So if we know the narrator lived, why do we care? The job of storytellers is to make us care. Andrea talks about a writing webinar with Lea Thau, host and produ
8: You Don't Have to be a Clown to Write Funny
This episode is about writing humor. Andrea tells a joke only she thinks is funny, then calls our humor expert, Jay Wexler, who confirms just how funny her joke is. Jay is an attorney and the author of five books.Later in the show, Jay shares his ten suggestions for writing humor. Andrea adds four. Together, they have 14 suggestions for writing humor.Terry DeMeo introduces herself before telling a story in front of a live audience, at Lip Service. In her own words, Terry wonders about w
True Story: Nobody Likes New Year's Eve.
We’re interrupting our first semester to give you a taste of who’s to come in our second semester. You’ll meet Frenchy, who took Andrea’s writing class years ago and is now back. Does she get a kiss on New Year’s Eve? You’ll also meet Tobi Ash and hear why she’s been avoiding New Year’s celebrations for 30 years. Cynthia Castillo who wished for a tragic life to write about until tragedy hit. Nicki Post takes us on a trip to Korea, one of her many adventures out of the country. You’ll he
7: Story Structure Is Sexy
How should a story be structured? Start from the very beginning by using the concept of story spine. Story spine, a technique articulated by the playwright Ken Adams, is the backbone of every traditional story. In this episode, Allison uses the story spine to write about her return to dating after having children on her own. Inessa writes about a date that goes wrong and Jahn uses this structure to tell stories about the first time he got a boner. In each story, the story spine structur
6: Wendi Tells the Story of her Ex-husband’s Murder. Writing Is an Exercise in Trust.
Today we give you Wendi Adelson the way she revealed herself in the first semester. Andrea talks about hot topic, cold prose, a writing technique where the narrator pares down the writing in a difficult moment. The story is told without sentiment. It’s just reported. Two weeks into the semester, Wendi came back with some of the answers to students’ questions. In her first story she hinted at not feeling like she can publicly express how she really feels, a theme she repeated in the next
The Lies We Tell
Danny and Bo reveal the lies they've told, especially to themselves. And then the fallout. Danny falls in love with two women but neither knows about the other. Everyone is happy, until he hears a knock at the door. Bo admits to his many sexual encounters with women, sometimes in the same day; all an attempt to cure himself from being gay. Andrea talks about the importance of feedback and encourages the listener to find a writing group. She says feedback can be delicate, especially with any new
Field Trip to the Fertility Clinic. Freezing Eggs at 6 a.m.
Andrea follows Inessa to the fertility clinic early one morning as she goes through the process of harvesting her eggs, an undertaking not entirely of her doing. We heard in the second episode that Mama put down $10,000 toward the procedure. Inessa paid the remaining $2,000. Turns out Inessa is not the only one in class who has or is currently going about having children without getting knocked up.Writing Class Radio is a podcast where you’ll hear true personal stories and learn a little about h
3: What Is the Story You Tell about Your Relationship with Your Mother?
Hear what Inessa, Danny, Bo, Jahn, Allison and Andrea confess about their relationships with their moms and how those relationships have shaped their lives. We all tell stories, including to ourselves. The truth is, you never know how the people you love will respond to what you write about them. You may be surprised.Writing Class Radio is a podcast where you’ll hear true personal stories and learn a little about how to write your own stories. Writing Class Radio is equal parts hea
2: How Are You? Really?
In our first class of the semester, we got the writing prompt, "How are you? Really?" Danny and Inessa are two students in the class who share exactly how they are. Danny's story involves underwear. Inessa's involves stabbing hormones into her belly to create eggs that may become her future children. Both stories are about how they are influenced by their parents. Aren't we all?Writing Class Radio is a podcast where you’ll hear true personal stories and learn a little about how to
1: The Pilot: The Hardest Thing To Write About
Allison Langer and Andrea Askowitz created a podcast of their writing class. On this episode you'll hear what qualifies Andrea to be the teacher. And why Allison insisted the world needs this podcast. We believe that once you write about the thing you don't want to write about, that thing has less emotional power over you. Allison reveals the hardest thing in the world to write about. Content warning: this episode contains a story about the loss of a child.Writing Class Radio is a