In this episode, I sat down with Jason and picked up the thread after our run of Sphere recaps, reflecting on what felt like the end of a chapter for the show and wondering what comes next. From there, we dove deep into Phish eras, especially why 1994 continues to feel so pivotal to me: the band had fully mastered its songbook in 1993, then spent 1994 pushing into experimentation while still sounding hungry, sharp, and full of possibility on the way to their first Madison Square Garden show. We also talked about how nostalgia shapes the way fans rank tours, why summer ’95 feels like an odd lull before the blastoff of fall ’95, and how moments like MSG in ’94 and Big Cypress in ’99 can define entire turning points in the band’s story.I also went down a long rabbit hole on Trey’s guitar evolution and whether it really happened in isolation from the wider guitar world of the 1980s and early 1990s. We talked about the age of shredders, from Randy Rhoads and Eddie Van Halen to Nuno Bettencourt, Vito Bratta, Joe Satriani, Steve Vai, and Marty Friedman, and I argued that it’s hard to believe Trey wasn’t absorbing some of that energy as he developed into “machine gun Trey” before later shifting toward a more textural, band-oriented style. Along the way, we connected those ideas to grunge, tone-based guitar music, reaction-video culture, and the strange feeling of realizing that neither the 1990s version of Phish nor the broader musical world that shaped them is ever coming back. It was part music history, part fan therapy, and part celebration of what made those eras feel so alive in the first place.